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Lucrecia Martel

Born in Salta, Argentina, in 1966, she garnered widespread acclaim with her first feature film La Ciénaga (The Swamp) in 2001, followed by La niña santa (The Holy Girl) in 2004 and La mujer sin cabeza (The Headless Woman) in 2008. Her fourth feature, Zama, an exploration of colonialism and racism, drew widespread acclaim at its premiere in the Venice International Film Festival in 2017. She has also shown interest as an artist outside the cinematic field. Her latest collaboration was the direction of Björk’s concert Cornucopia at The Shed, acknowledged as the most elaborate show ever given by the Icelandic artist.

A traveling retrospective of Martel’s work was launched in 2018 at New York’s Lincoln Center, together with a series of master classes about sound and perception that brought the filmmaker to numerous film festivals and several of the most prestigious arts and cultural institutions of the world. In 2019, Martel was chosen as President of the Venice International Film Festival Jury. 
 

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