The Morelia International Film Festival Kicked Off Its 24th Edition with CAMPEÓN GABACHO by Jonás Cuarón

The Morelia International Film Festival (FICM) launched its 24th edition with the film Campeón Gabacho, directed by Jonás Cuarón.

The Story of Los Bukis Comes Alive at the 24th FICM with the Screening of CÓMO FUI A ENAMORARME DE TI

The music of Los Bukis returned to the big screen with a remastered version of Cómo fui a enamorarme de ti —a 1990 film that singer-songwriter Marco Antonio Solís, a Michoacán native, presented alongside the members of the group and director Sergio Olhovich as part of the 24th Morelia International Film Festival (FICM).

Rediscovering Our Identities: Interview With Efraín Mojica and Rebecca Zweig, Co-Directors of JARIPEO

At times, we need to take a step away from our surroundings to gain a new perspective on our lives.

The Importance of Home: Interview With Colette Ghunim, Director of TRACES OF HOME

As we grow older, the question of ‘Where do I truly belong?’ may arise. Although this feeling can appear at many stages of life, for migrant families it takes on distinct shades connected to their identity and their idea of home.

Photographic Exhibition LOS MULTIVERSOS DE JANET ALCORIZA Adorns the Benito Juárez Plaza as Part of the 24th FICM

The photo exhibition Los multiversos de Janet Alcoriza, by Fundación Televisa, had a special tour during the 24th Morelia International Film Festival (FICM).

The event was attended by Daniela Michel, founder and director of the festival, and Héctor Orozco, curator of the audiovisual archive at Fundación Televisa. Both attendees highlighted the importance of preserving and promoting Janet Alcoriza's legacy, a big name among the screenwriters of the Golden Age of Mexican Cinema.

The Cannes Film Festival's Critics' Week at the 24th FICM

In keeping with tradition, a selection of films screened at the Cannes Film Festival’s Critics’ Week is part of the program for the 24th Morelia International Film Festival (FICM).

In this edition, the Critics’ Week program at the 24th FICM includes eight feature films and one short film, presented by Ava Cahen, General Delegate of Critics’ Week.

DEL PATERNALISMO AL PARTENARIADO: LA DIVERSIDAD LATINOAMERICANA A TRAVÉS DEL FONDS SUD CINÉMA (1984–2011) Was Presented at the 24th FICM

“We’re enjoying being world champions in cinema”: PARA LOS CONTRINCANTES Screened at the 24th Edition of FICM

Para los contrincantes, a short film directed by Federico Luis and winner of the Palme d’Or for Best Short Film at the 2026 Cannes Film Festival, was screened as part of the activities on the second day of the 24th Morelia International Film Festival (FICM) in a double feature that also included the Palme d’Or winner, Fjord, by Cristian Mungiu.

Markus Schleinzer Shines at the 24th FICM With the Screening of His Film ROSE

Austrian director and screenwriter Markus Schleinzer attended the 24th Morelia International Film Festival (FICM) to present his latest feature film, Rose, starring Sandra Hüller, winner of the Silver Bear for Best Actress at the last Berlin International Film Festival.

An Exploration of the Human Relationship with Space: An Interview with Mariano Rentería, Director of ODISEA NACIONAL

When we think of a place, various sensations come to mind: an emotion, a smell, a sensation of temperature, or a sound. These connections occur unconsciously and are related to the space around us. In his new film, Odisea nacional, Mariano Rentería explores the different ways we can relate to space.

We had the opportunity to speak with the Morelia-based filmmaker during the 24th Morelia International Film Festival (FICM) about his vision and motivation for making this documentary.

IMPULSO MORELIA Begins its 12th Edition with a Screening of Legítima

The 12th edition of Impulso Morelia, a section dedicated to promoting Mexican feature films in post-production by providing support and helping to complete their production and subsequent distribution, began as part of the 24th Morelia International Film Festival (FICM) program.

Guillermo del Toro Awarded the UNAM Film Archive Medal During the 24th FICM

At the 24th Morelia International Film Festival (FICM), Guillermo del Toro received the UNAM Film Archive Medal during a press conference ahead of the screening commemorating the 20th anniversary of Pan’s Labyrinth (2006). The event reunited the filmmaker with members of the film’s production team, who reflected on its creation, its enduring relevance, and cinema's role in contemporary society.

Documentary UN AFORTUNADO TESTIGO (EL DETRÁS DE CÁMARAS DE AMORES PERROS) Presented at the 24th FICM

The documentary Un afortunado testigo (el detrás de cámaras de Amores Perros) was screened at the 24th Morelia International Film Festival (FICM), with director Fernando Llanos in attendance.

In 1999, while filming Love's a Bitch (2000)—the film that launched Alejandro González Iñárritu’s career—Llanos created nearly 500 drawings to serve as a storyboard for the film. He also shot 47 hours of behind-the-scenes footage, which he later edited into a documentary.

l’Alternativa - The Barcelona Independent Film Festival Invites Brian Reséndiz to Join Its Mentoring Acció>Cinema Program

The 4th Project Development Workshop for Filmmakers of Indigenous and African Descent in Mexico is expanding its horizons through a collaboration with l

Tribute to Janet Alcoriza at the 24th FICM

The 24th Morelia International Film Festival (FICM) paid tribute to Janet Alcoriza, the multifaceted actress and screenwriter of Mexican cinema’s Golden Age, with the special program Janet Alcoriza: actriz y guionista, presented with the invaluable support of the Televisa Foundation, the UNAM Film Archive, and the National Film Archive.

Diego Boneta Presented KILLING CASTRO at the 24th FICM

Killing Castro, directed by Eif Rivera, was presented at the 24th Morelia International Film Festival (FICM) by its lead actor, Diego Boneta, and the festival’s president, Alejandro Ramírez.

Guillermo del Toro Receives the Artistic Excellence Award at the 24th FICM and Presents a Restored Version of PAN'S LABYRINTH

During the 24th Morelia International Film Festival (FICM), director Guillermo del Toro was honored with the Award for Artistic Excellence for his significant contributions to both Mexican and world cinema. The presentation took place prior to a screening of a restored, 3D version of his iconic film, Pan’s Labyrinth (2006).

MAN OVERBOARD!, Gael García's Third Film as Director Premiers at the 24th FICM

Gael García Bernal premiered his third feature film as director,

The Cannes Film Festival's Critics' Week at the 24th FICM

In keeping with tradition, a selection of films screened at the Cannes Film Festival’s Critics’ Week is part of the program for the 24th Morelia International Film Festival (FICM).

In this edition, the Critics’ Week program at the 24th FICM includes eight feature films and one short film, presented by Ava Cahen, General Delegate of Critics’ Week.

The 24th FICM and Le FIFA Present: TINA: ART, LOVE, AND REVOLUTION

In collaboration with Le FIFA (Festival International du Film sur l'Art), the documentary Tina: arte, amor y revolución (2026, dir. Daniela Mujica) was screened at the 24th Morelia International Film Festival (FICM).

ARIMA Arrives at FICM Alongside its Director Jaione Camborda

As part of the 24th Morelia International Film Festival (FICM), filmmaker Jaione Camborda presented Arima, her debut feature film. During her encounter with festival attendees, the filmmaker and winner of the Concha de Oro expressed her honor at being in Morelia to showcase her work, and mentioned her deep interest in relationships between women, viewing them as essential networks of survival—clandestine spaces on the margins of dominant and violent structures that offer support, solidarity, and resistance.

Axel Bertha and Jonathan Zarate Present CONTRA LA NATURALEZA at the 24th FICM

At a press conference, filmmaker Axel Bertha and actor Jonathan Zárate shared key details about the creative process behind the filming of Contra la naturaleza, a film that seeks to capture a timeless and profound dimension of the human condition, and which took five years to complete.

Finding Other Ways to Tell Stories: An Interview With Otilia Portillo, Director of HIJAS DEL BOSQUE

Our development as human beings is often framed through a duality: the interplay between inherited, traditional knowledge and Western knowledge. But what if we were to question this divide and examine how these different ways of knowing relate to one another—through something as everyday as mushrooms? This is one of the reflections that emerges from the documentary Hijas del bosque, directed by Otilia Portillo.

Diego Calva y Jordan Firstman Bring CLUB KID to the 24th FICM

Actor Diego Calva presented his new film Club Kid at the 24th Morelia International Film Festival (FICM), and he did so by going off-script and calling director Jordan Firstman, who was promoting the film in London.

Suzanne Andrews Correa and the Cast of LA CAZADORA Present the Film at the 24th FICM

As part of the Official Selection of the 24th Morelia International Film Festival, the press conference for La cazadora, the debut film by Mexican-American screenwriter and director Suzanne Andrews Correa, took place.

The Freedom to Be Yourself: Interview With Dano García About MICKEY

We have all heard the phrase “let it go” at some point. Saying it may seem simple, but doing it is another matter entirely. Looking back at the past, acknowledging the things that have left their mark on us, and finding a way to move forward is not always easy. In Mickey, Dano García explores memories, desires, and the possibility of constructing new realities—all while touching upon themes of friendship and the freedom to be your true self.

The Cannes Film Festival's Critics' Week at the 24th FICM

In keeping with tradition, a selection of films screened at the Cannes Film Festival’s Critics’ Week is part of the program for the 24th Morelia International Film Festival (FICM).

In this edition, the Critics’ Week program at the 24th FICM includes eight feature films and one short film, presented by Ava Cahen, General Delegate of Critics’ Week.

“The TE PROMETO ANARQUÍA Diego would be very happy”: Diego Calva Takes the Tequila 1800 Award at the 24th FICM

As part of the 24th Morelia International Film Festival (FICM), Diego Calva received the Tequila 1800 Award in recognition of his career and talent.

Daniela Michel, founder and director of the FICM, and Cuauhtémoc Cárdenas Batel, the festival’s vice president, joined the actor to congratulate him on this award, which helps foster new projects and ideas within Mexican cinema.

Neto Villalobos' AMOR ES EL MONSTRUO at the 24th FICM

As part of the 24th Morelia International Film Festival (FICM), Amor es el monstruo, a dystopian thriller marked by fear and inequality, directed by Costa Rican filmmaker Neto Villalobos Brenes, was presented.

The project is an international co-production led by Costa Rica, with participation from Peru, Panama, Chile, and Mexico.

“Making this film was an act of faith”: Emiliano Rocha Presented THE WIG at the 24th FICM

The film The Wig

Ánima Estudios' Most Recent Production, LA VENGANZA DEL CHARRO NEGRO, at the 24th FICM

The 24th edition of the Morelia International Film Festival (FICM) brought together part of the team of La venganza del Charro Negro, the most recent production from Ánima Estudios and the eighth installment of the Mexican franchise known as Las leyendas (The Legends).

Carlos Reygadas Returns to FICM with His Most Recent Film HEIL JUPITER !

As part of the 24th edition of the Morelia International Film Festival (FICM), filmmaker Carlos Reygadas presented his latest feature film, Heil Jupiter!, at a screening held at the Teatro Matamoros, where he was joined by the festival’s founder and general director, Daniela Michel.

Stories Worth Telling: An Interview with Pablo Vaca About FORENSITA

At some point in our lives, we’ve all heard a story and thought, “This story is meant to be a film.” Most of the time, that idea remains just a thought, but what happens when someone dares to bring it to the screen? Pablo Vaca decided to take that step. Upon encountering a fascinating story, he found that a documentary was the perfect medium to tell it—and that is how Forensita was born.

Restored Version of SANTA Presented at the 24th FICM: A Historic Rescue of Mexican Sound Cinema

A screening of the emblematic film Santa (1931), by Antonio Moreno, was held as part of the activities of the 24th Morelia International Film Festival (FICM). Moreno's movie is considered the cornerstone of sound cinema in Mexico and a fundamental milestone for the national film industry.

World Fencing Champion Nathalie Moellhausen Presented TOUCHÉ at the 24th FICM

World fencing champion Nathalie Moellhausen presented Touché at the 24th Morelia International Film Festival (FICM) as part of a double feature that also screened the short film The Call Room, directed by Vincenzo Carrano.

Before the screening, the athlete was joined by the festival’s founder and director, Daniela Michel, and film journalist Carlos Gómez Iniesta.

Joaquín Ruano Returns to Morelia to Debut NOSOTROS

A year after participating in Impulso Morelia 11, producer and director Joaquín Ruano returns to the 24th Morelia International Film Festival (FICM) to present his debut feature, Nosotros. The film is part of the festival’s Official Selection in competition.

The Guatemalan-Mexican filmmaker, joined by Mayra Salvador, Lola Vásquez, and Josef Coxaj, held a press conference during the festival.

FICM Honors Filmmaker and Individual Béla Tarr with a Screening of THE TURIN HORSE

The Turin Horse (2011), the last film by Béla Tarr, who died on January 6, 2026, was screened as a tribute to the Hungarian film director as part of the activities of the 24th edition of the Morelia International Film Festival (FICM).

The Cannes Film Festival's Critics' Week at the 24th FICM

In keeping with tradition, a selection of films screened at the Cannes Film Festival’s Critics’ Week is part of the program for the 24th Morelia International Film Festival (FICM).

In this edition, the Critics’ Week program at the 24th FICM includes eight feature films and one short film, presented by Ava Cahen, General Delegate of Critics’ Week.

Jaione Camborda Unveils Her Armchair and Presents O CORNO at the 24th FICM

As part of her activities as a jury member at the 24th edition of the Morelia International Film Festival (FICM), director Jaione Camborda screened O corno (2023), her latest film, which won the Concha de Oro for best film at the 71st edition of the San Sebastian International Film Festival.

ANTI-PRINCESAS, by Alejandro Icaza, Premieres at the 24th FICM

As part of the 24th edition of the Morelia International Film Festival (FICM), the documentary Anti-princesas, directed by Alejandro Icaza, had its world premiere with the presence of Mercedes Becker and Raquel Aguirre, founders of La Cana, as well as members of the production team: Gabriela Maldonado, Arantxa Oliver, Lucía Ferreyra, Chema Ramos and Patrick Danse.

Carlos Reygadas Celebrated the 21th Anniversary of BATTLE IN HEAVEN at the 24th FICM

Mexican director Carlos Reygadas re-released his second feature film, Battle in Heaven (2005), as part of the activities of the 24th edition of the Morelia International Film Festival (FICM).

The film, which is now 21 years old, was introduced by Reygadas himself, alongside Daniela Michel, founder and general director of FICM, and film critic Jorge Negrete.

When the Story Finds You: Interview with Alejandro Rugama on YĀTRĀ

What happens when the search for answers around the world ultimately reveals our own story?

Viviana García Besné Launched "Luchadores vs Everything" at the 24th FICM

As part of the 24th edition of the Morelia International Film Festival (FICM), the book Luchadores vs Everything was presented, with the author, Viviana García Besné, and programmer Camilla Baier in attendance.

The book, illustrated by Jeffrey Everett, features contributions from more than 40 people, including wrestlers, writers, and directors.

The mission of this publication is not only to talk about all popular cinema possible, but also to change the institutional view towards these productions.

Imogen Sara Smith Presented Robert M. Young's ALAMBRISTA! at the 24th FICM

As part of the screenings that make up the México Imaginario section at the 24th edition of the Morelia International Film Festival (FICM), the film Alambrista! (1977), written and directed by the American filmmaker Robert M. Young, was screened.

The film was introduced by Chloë Roddick, a festival programmer, and Imogen Sara Smith, a film historian who curated this section.

Tribute to Florence Delay Continues With SANS SOLEIL at the 24th FICM

As part of the programming for the 24th Morelia International Film Festival (FICM), Sans Soleil (1983) was screened as part of a tribute to French actress and writer Florence Delay. This section honors the French scholar’s ​​career and explores her contributions to both cinema and literature.

The Cannes Film Festival's Critics' Week at the 24th FICM

In keeping with tradition, a selection of films screened at the Cannes Film Festival’s Critics’ Week is part of the program for the 24th Morelia International Film Festival (FICM).

In this edition, the Critics’ Week program at the 24th FICM includes eight feature films and one short film, presented by Ava Cahen, General Delegate of Critics’ Week.

Alfonso Cuarón, Awarded the Insignia of Officer of the Order of Arts and Letters by the French Embassy in Mexico at the 24th FICM

In recognition of his extraordinary contribution to contemporary cinema, the freedom and uniqueness of his vision, his ability to reinvent himself while remaining true to his own identity, and his success in bringing Mexican culture to audiences worldwide, film director Alfonso Cuarón was honored by the French Embassy in Mexico with the rank of Officer of the Order of Arts and Letters. The distinction was presented during the 24th edition of the Morelia International Film Festival (FICM).

FICM Pays Tribute to Dolores del Río with the Restored Version of PRECIO DE LA GLORIA

As part of the 24th Morelia International Film Festival (FICM), a special screening of What Price Glory? (1926)—directed by Raoul Walsh—was held in honor of Dolores del Río. A native of the state of Durango, she was one of cinema’s greatest icons and the first Mexican actress to conquer Hollywood.

Juan Antonio Bayona Presents BEYOND SOCIETY and Unveils His Commemorative Armchair at the 24th FICM

Spanish filmmaker Juan Antonio Bayona presented the miniseries Beyond Society, which examines what happened following the rescue of the survivors of the 1973 Andes plane crash.

COSME, Álvaro Curiel de Icaza's Fourth Feature Film, Was Presented at the 24th FICM

Director Álvaro Curiel de Icaza presented his fourth feature film, Cosme, at the 24th edition of the Morelia International Film Festival (FICM), where he was accompanied by a large part of the film's cast and by Daniela Michel, founder and general director of the festival.

NAZA by Yuval Abraham and Rachel Szor Had Its Mexican Premiere at the 24th FICM

Naza, a documentary by Israeli filmmakers and investigative journalists Yuval Abraham and Rachel Szor, premiered in Mexico at the 24th Morelia International Film Festival (FICM).

TRALOVENTO Arrives at FICM With a Reflection On Territory, Renewable Energy, and Grief

As part of the activities at the 24th Morelia International Film Festival (FICM), Tralovento—a feature film by filmmaker Eloy Domínguez Serén—was presented. The work delves deeply into the tension between the concept of economic development and the environmental impact of renewable energy.

The Plaque for the 23rd FICM was Unveiled in the Presence of Alfonso Cuarón and Jonás Cuarón

As is tradition, the 24th Morelia International Film Festival (FICM) featured the unveiling of a plaque honoring the winners of the Official Selection from the festival’s previous edition.

Jean Vivo's L'ATALANTE Screened at the 24th FICM

As part of the Jean Vigo Award program at the 24th Morelia International Film Festival (FICM), L’Atalante (1934), by French director Jean Vigo was screened.

The film tells the story of Juliette, a young woman from a small town, and Jean, the captain of a barge, who marry after a courtship. Weary of her monotonous life aboard the vessel the young wife finds herself drawn to the bright lights of Paris, a turn of events that plunges her husband into deep despair.

THE SOUND OF FLAMES, An Ambitious Co-Production About Freedom Presented at the 24th FICM

As part of the 24th edition of the Morelia International Film Festival (FICM), the film The Sound of Flames, a cinematic work notable for its significant international collaboration between Italy and China, was presented. The screening was attended by key members of the production team, including co-director Giuseppe Ferlito and producer Andrea Sinigaglia, who shared insights and reflections on the project with the audience.

Ser mexicano sin estar en México: Entrevista con Francisco Ohem sobre LOS MARIACHIS PERDIDOS

¿Qué significa ser mexicano y cómo puede una cultura convertirse en un refugio para quienes viven al otro lado del mundo? En Los mariachis perdidos, el cineasta Francisco Ohem emprende un viaje por los Balcanes para descubrir la fascinante historia de una comunidad que encontró en la música mexicana una forma de expresión, identidad y consuelo. 

“CCC: Cincuenta somos cine. Medio siglo creando historias” Presented at the 24th FICM

The book CCC: Cincuenta Somos cine. Medio siglo creando historias was presented as part of the 24th Morelia International Film Festival (FICM). The book was published by the Film Training Centre (CCC) to commemorate its 50th anniversary.

The Memories We Would Visit: An Interview with Ramón Llaven and Eduardo Navarrete on EL BAILE DE LAS ÁNIMAS

Mexico’s relationship with death is always striking. Not least because, as Mexicans, we rarely stop to question it. From childhood, we accept that our dead return each year to visit us, and that their spirits, their souls, traverse specific places as part of this tradition. In El baile de las ánimas, director Ramón Llaven offers a window into this perspective through a deeply personal journey back to his native Valle de Etla, in Oaxaca.

Spanish Director Pedro Aguilera Presented LADIES' HUNTING PARTY at the 24th FICM

As part of the programming for the 24th Morelia International Film Festival (FICM), Ladies' Hunting Party, by Spanish director Pedro Aguilera, was presented.

The film tells the story of three friends who reunite after a long time to hunt rabbits on the same estate where, nearly sixty years earlier, The Hunt, 1966—a film by Spanish director Carlos Saura—was shot.

THE QUEER GAZE: HOW DISSIDENT AND COMPLEX NARRATIVES TRANSFORM CINEMA Presented by Otros Ojos at the 24th FICM

As part of the 24th Morelia International Film Festival (FICM), a talk titled “The Queer Gaze: How Dissident and Complex Narratives Transform Cinema” was presented by the initiative Otros Ojos. The panel featured Amy Redford, an American actress, director, and producer on the Feature Film Jury for this edition; Franck Finance-Madureira, founder and president of the Cannes Queer Palm; and screenwriter, writer, and consultant for Otros Ojos, Yol Segura.

Andrea Pallaoro Returns to FICM to Present His Fourth Feature Film, THE ECHO CHAMBER

As part of the 24th Morelia International Film Festival (FICM), acclaimed filmmaker Andrea Pallaoro reunited with the audience in Michoacán to present his latest work, The Echo Chamber—a feature film that held its world premiere a few months ago at the Venice Film Festival. The event also featured an introduction by Daniela Michel, founder and director of the FICM.

Tinta, Otros ojos, and Entorno a ti Gather Before A Screening of PERFUME DE VIOLETAS

During the 24th Morelia International Film Festival (FICM), Tinta, Otros Ojos, and Entorno a ti presented a discussion featuring actresses Ximena Ayala and Nancy Gutiérrez, the leads of Perfume de violetas (2001, dir. Maryse Sistach), alongside Mexican director, producer, and screenwriter Alejandro Pelayo. Following the conversation, the film, directed by Sistach, was screened.

Two Stories of Memory and Passion: Gustavo Marcovich and Camila Mendoza Present Their Documentaries at The the 24th FICM

As part of the 24th Morelia International Film Festival (FICM), filmmakers Gustavo Marcovich and Camila Mendoza presented two independent documentaries focused on collective memory and accounts of historical moments: Avándaro 71: La visión de los vecinos and El Sahara F.C.: la vida en chorcitos. The event was also attended by Daniela Michel, founder and director of the FICM.

LE DERNIER REPAS by Maryse Legagneur Screened at the 24th FICM

Le dernier repas (2024), Canadian filmmaker Maryse Legagneur’s he debut feature was screened as part of the programming for the 24th Morelia International Film Festival (FICM).

The story follows Reynold Célestin, a Haitian refugee living in Montreal who is suffering from terminal stomach cancer and seeks to reconcile with his daughter after twenty years of estrangement.

FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films

As part of the closing activities of the 24th edition of the Morelia International Film Festival (FICM), a special selection of four Caribbean short films, previously screened at the Curaçao International Film Festival, was presented. These films explore a range of themes, from journeys into historical memory within the jungles of Suriname to the realities of urban life and sports.

LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM

Director Piero F. Giunti presented the documentary Los Lobos: Native Sons at the 24th edition of the Morelia International Film Festival (FICM).

The film, co-directed by Giunti and Doug Blush, serves as the definitive and authoritative chronicle of one of America’s most enduring and innovative bands.