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Figueroa García, David

He studied classical literature at New York University (NYU) and took a course in screenwriting at the Film and Television Academy of Berlin (DFFB in German). He received a master’s degree in film directing from Columbia University, New York. He participated in the 10th Morelia International Film Festival (FICM) with his short fiction film Ratitas (2012), which won the Best Short Film Award at the 17th Brooklyn Film Festival (BFF), Best Mexican Short Film at the 9th Monterrey International Film Festival (FICMonterrey, in Spanish), and Best Actor for Kristyan Ferrer at the 8th Short Shorts Film Festival Mexico (SSFFM). His short fiction film Perfidia (2013) was part of the Official Selection of the 12th FICM and has won several awards: the East Region in the Latino section of the 19th DGA Student Film Awards, Los Angeles, and Best Short Film at the 17th Guanajuato International Film Festival (GIFF). This film has also participated in the 61st San Sebastián International Film Festival, Spain; the 7th Kustendorf International Film and Music Festival, Serbia; and the 25th New Orleans Film Festival (NOFF), Louisiana, among others.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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