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Enderle, Carlos

He studied Communication Science at the Faculty of Political and Social Sciences of the National Autonomous University of Mexico (UNAM), in Mexico City. His first work, Complicidades (2000), was presented at the medium-length film section of the Mexico City Film Festival. In 2009 he presented his first feature film Crónicas chilangas, which traveled to many festivals around the world, including the Havana Film Festival, in New York; the Warsaw International Film Festival; the Chicago Latino Film Festival; the International Festival of New Latin American Cinema of Havana, Cuba; and the Guadalajara International Film Festival (FICG); among others. Crónicas chilangas won the Silver Goddess Awards for Best First Film and Best Original Music; the Manuel Barba Award for Best Screenplay; the Mayahuel Awards for Best First Film, Best Screenplay and Best Actor; and it was part of the pre-selection for the Golden Globes in the category of Best Film in a Foreign Language. His latest feature film, Minezota (2016), won Impulso Morelia, a program that supports films in pre-production and it is part of the Official Selection of the 14th Morelia International Film Festival (FICM).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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