2019 | Color | 90:00 Sisyphus is a journey through the rehabilitation of addictions in Mexico. In the absence of a public infrastructure to combat this problem, the annexes are the alternative that addicts themselves have created. The annexes are unofficial rehabilitation centers in which a method of rehabilitation thought apart from medicine or professional therapy is offered. Country: México Direction: Gutiérrez Wenhammar; Nicolás, Mohar Volkow; Santiago Script: Gutiérrez Wenhammar; Nicolás, Mohar Volkow; Santiago Production: de la Paz; Santiago, Quintero; Alejandro, Sarquis; Juan Photography: Gutiérrez Wenhammar; Nicolás Sound: Mohar Volkow; Santiago Participation year at FICM: 2019
2019 | Color | 90:00 Sisyphus is a journey through the rehabilitation of addictions in Mexico. In the absence of a public infrastructure to combat this problem, the annexes are the alternative that addicts themselves have created. The annexes are unofficial rehabilitation centers in which a method of rehabilitation thought apart from medicine or professional therapy is offered. Country: México Direction: Gutiérrez Wenhammar; Nicolás, Mohar Volkow; Santiago Script: Gutiérrez Wenhammar; Nicolás, Mohar Volkow; Santiago Production: de la Paz; Santiago, Quintero; Alejandro, Sarquis; Juan Photography: Gutiérrez Wenhammar; Nicolás Sound: Mohar Volkow; Santiago Participation year at FICM: 2019
Reportage Reportaje explores the relationship between death and crime journalism in Mexico City. Through photographers, press workers, and newspaper vendors, it observes how violence is transformed into narrative and how storytelling becomes a way to inhabit and transcend death. In parallel, a group of formerly incarcerated actors stages a crime that resonates with their own histories, turning performance into an act of memory and redemption. See More
Mechanical Memory is a ghost. Lucio, a printing press worker, takes one last walk around the machines with whom he shared everything. He remembers when his mechanisms used to move and through that mechanical movement he reflects about his own life. See More
Serranilla Agustina has been a pastor for as long as she can remember. Throughout her life she has had three great loves. Between dreams and memories she sings about everything that has and has not been. Agustina lives with Dionisio in a rural community called El Saltillo in Guanajuato, Mexico. Serranillas are medieval spanish compositions dealing with some kind of amatory adventure in rural landscapes. See More
The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26 FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
FICM and the Curacao Film Festival Reaffirm Their Alliance to Promote Cinema With a Showcase of Caribbean Short Films 10 · 23 · 26
