2018 | Color | 75:00 Belmonte is preparing for an upcoming exhibition of his work at Montevideo’s National Museum. His paintings are sensual, fantastical, and sometimes colorful, yet all have a melancholic undertone. A divorced dad, Belmonte has recently been more obsessed with his relationship with his young daughter, Celeste, than with his work—especially now that Celeste’s mom is about to have a baby with her new partner. Direction: Veiroj; Federico Script: Veiroj; Federico Production: Halphen; Sandro, Federico Veiroj, Fernando Franco, Juan José López, Charles Barthe Photography: Arauco Hernández Holz, Analía Pollio Sound: Daniel Yafalián Music: Leo Masliah, Gervasio Tarragona & Javier Bezzato, Rafael Bonavita, Diane Denoir & Eduardo Cast:Gonzalo Delgado, Olivia Molinaro, Tomás Wahrmann, Jeannette Sauksteliskis, Marcelo Fernández, Giselle Motta, Cecilia Jeske Art direction: Nicole Davrieux, Alejandro Castiglioni Participation year at FICM: 2018
2018 | Color | 75:00 Belmonte is preparing for an upcoming exhibition of his work at Montevideo’s National Museum. His paintings are sensual, fantastical, and sometimes colorful, yet all have a melancholic undertone. A divorced dad, Belmonte has recently been more obsessed with his relationship with his young daughter, Celeste, than with his work—especially now that Celeste’s mom is about to have a baby with her new partner. Direction: Veiroj; Federico Script: Veiroj; Federico Production: Halphen; Sandro, Federico Veiroj, Fernando Franco, Juan José López, Charles Barthe Photography: Arauco Hernández Holz, Analía Pollio Sound: Daniel Yafalián Music: Leo Masliah, Gervasio Tarragona & Javier Bezzato, Rafael Bonavita, Diane Denoir & Eduardo Cast:Gonzalo Delgado, Olivia Molinaro, Tomás Wahrmann, Jeannette Sauksteliskis, Marcelo Fernández, Giselle Motta, Cecilia Jeske Art direction: Nicole Davrieux, Alejandro Castiglioni Participation year at FICM: 2018
Así habló el cambista Umberto Brasue is a money changer who will have to circumvent his marriage, the subversion of the 1970s, and his own code of ethics to keep his name in the Uruguayan financial center. See More
The Apostate Tamayo knows he doesn’t want to be the person he once was – or the person he’d have to be if he adhered to family expectations. But it’s hard to find a new path, and perhaps, before he can begin, he will have to put his feelings into words. With the actions intrinsic to late adolescence and the sincerity of one friend addressing another, Tamayo revisits a long list of weaknesses and miseries: his family heritage. See More
Acne Rafael Bregman is 13. He has lost his virginity but he has never kissed a girl. To make his dream come true, he will have to combat his acne, struggle against his awkwardness, beat his shyness, and assume his adolescence. See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
