2018 | Color | 75:00 Belmonte is preparing for an upcoming exhibition of his work at Montevideo’s National Museum. His paintings are sensual, fantastical, and sometimes colorful, yet all have a melancholic undertone. A divorced dad, Belmonte has recently been more obsessed with his relationship with his young daughter, Celeste, than with his work—especially now that Celeste’s mom is about to have a baby with her new partner. Direction: Veiroj; Federico Script: Veiroj; Federico Production: Halphen; Sandro, Federico Veiroj, Fernando Franco, Juan José López, Charles Barthe Photography: Arauco Hernández Holz, Analía Pollio Sound: Daniel Yafalián Music: Leo Masliah, Gervasio Tarragona & Javier Bezzato, Rafael Bonavita, Diane Denoir & Eduardo Cast:Gonzalo Delgado, Olivia Molinaro, Tomás Wahrmann, Jeannette Sauksteliskis, Marcelo Fernández, Giselle Motta, Cecilia Jeske Art direction: Nicole Davrieux, Alejandro Castiglioni Participation year at FICM: 2018
2018 | Color | 75:00 Belmonte is preparing for an upcoming exhibition of his work at Montevideo’s National Museum. His paintings are sensual, fantastical, and sometimes colorful, yet all have a melancholic undertone. A divorced dad, Belmonte has recently been more obsessed with his relationship with his young daughter, Celeste, than with his work—especially now that Celeste’s mom is about to have a baby with her new partner. Direction: Veiroj; Federico Script: Veiroj; Federico Production: Halphen; Sandro, Federico Veiroj, Fernando Franco, Juan José López, Charles Barthe Photography: Arauco Hernández Holz, Analía Pollio Sound: Daniel Yafalián Music: Leo Masliah, Gervasio Tarragona & Javier Bezzato, Rafael Bonavita, Diane Denoir & Eduardo Cast:Gonzalo Delgado, Olivia Molinaro, Tomás Wahrmann, Jeannette Sauksteliskis, Marcelo Fernández, Giselle Motta, Cecilia Jeske Art direction: Nicole Davrieux, Alejandro Castiglioni Participation year at FICM: 2018
Así habló el cambista Umberto Brasue is a money changer who will have to circumvent his marriage, the subversion of the 1970s, and his own code of ethics to keep his name in the Uruguayan financial center. See More
The Apostate Tamayo knows he doesn’t want to be the person he once was – or the person he’d have to be if he adhered to family expectations. But it’s hard to find a new path, and perhaps, before he can begin, he will have to put his feelings into words. With the actions intrinsic to late adolescence and the sincerity of one friend addressing another, Tamayo revisits a long list of weaknesses and miseries: his family heritage. See More
Acne Rafael Bregman is 13. He has lost his virginity but he has never kissed a girl. To make his dream come true, he will have to combat his acne, struggle against his awkwardness, beat his shyness, and assume his adolescence. See More
Four 22nd FICM short films, presented at the 64th Cannes Critics’ Week, got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25 Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25
Four 22nd FICM short films, presented at the 64th Cannes Critics’ Week, got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25
