2019 | B/N | 97:00 Umberto Brasue is a money changer who will have to circumvent his marriage, the subversion of the 1970s, and his own code of ethics to keep his name in the Uruguayan financial center. Country: Argentina, Uruguay Direction: Veiroj; Federico Script: Hernández Holz; Arauco, basado en la novela homónima de Juan Enrique Gruber, Veiroj; Federico, Mauregui; Martín Production: Robino; Diego, López; Santiago Photography: Hernández Holz; Arauco Sound: Vildosola; Catriel, Oliver; Fabián Music: Segret; Hernan Cast:Vicuña; Benjamín, De Silva; Germán, Hendler; Daniel, Fonzi; Dolores, Machín; Luis Participation year at FICM: 2019
2019 | B/N | 97:00 Umberto Brasue is a money changer who will have to circumvent his marriage, the subversion of the 1970s, and his own code of ethics to keep his name in the Uruguayan financial center. Country: Argentina, Uruguay Direction: Veiroj; Federico Script: Hernández Holz; Arauco, basado en la novela homónima de Juan Enrique Gruber, Veiroj; Federico, Mauregui; Martín Production: Robino; Diego, López; Santiago Photography: Hernández Holz; Arauco Sound: Vildosola; Catriel, Oliver; Fabián Music: Segret; Hernan Cast:Vicuña; Benjamín, De Silva; Germán, Hendler; Daniel, Fonzi; Dolores, Machín; Luis Participation year at FICM: 2019
Belmonte Belmonte is preparing for an upcoming exhibition of his work at Montevideo’s National Museum. His paintings are sensual, fantastical, and sometimes colorful, yet all have a melancholic undertone. A divorced dad, Belmonte has recently been more obsessed with his relationship with his young daughter, Celeste, than with his work—especially now that Celeste’s mom is about to have a baby with her new partner. See More
The Apostate Tamayo knows he doesn’t want to be the person he once was – or the person he’d have to be if he adhered to family expectations. But it’s hard to find a new path, and perhaps, before he can begin, he will have to put his feelings into words. With the actions intrinsic to late adolescence and the sincerity of one friend addressing another, Tamayo revisits a long list of weaknesses and miseries: his family heritage. See More
Acne Rafael Bregman is 13. He has lost his virginity but he has never kissed a girl. To make his dream come true, he will have to combat his acne, struggle against his awkwardness, beat his shyness, and assume his adolescence. See More
54 years after the Halconazo 06 · 12 · 25 Salón Los Ángeles on Screen 06 · 05 · 25 Sundance Film Festival CDMX 2025: ABEL, HEROD'S LAW and more 05 · 29 · 25 Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
Four 22nd FICM short films presented at the 64th Cannes Critics’ Week got a special screening in Paris 05 · 26 · 25
