Image Yñigo, Omar He took a course in screenwriting at the CCC film school in Mexico City. He participated with his work in three editions of the Morelia International Film Festival (FICM). At the 2nd FICM, he participated with his short fiction film Corazón de Fanny (2003) and in the 4th FICM with La ventana de Luciano (2006). His first feature-length film Marcelo (2012), which was part of the Official Selection of the Mexican Feature Film Section at the 10th FICM, was also presented at the 28th Guadalajara International Film Festival (FICG), at the 17th Mix Mexico: Festival of Sexual Diversity in Film and Videos, at the 13th Barcelona International Gay & Lesbian Film Festival (FICGLB, in Spanish), and at the 11th Ischia Film & Music Global Fest, Italy. His last film tied for First Place at the IV “Alejandro Galindo Screenwriting Improvement Workshop, taught by Vicente Leñero, in Mexico City. Other Movies If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More 40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More Related News “I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Yñigo, Omar He took a course in screenwriting at the CCC film school in Mexico City. He participated with his work in three editions of the Morelia International Film Festival (FICM). At the 2nd FICM, he participated with his short fiction film Corazón de Fanny (2003) and in the 4th FICM with La ventana de Luciano (2006). His first feature-length film Marcelo (2012), which was part of the Official Selection of the Mexican Feature Film Section at the 10th FICM, was also presented at the 28th Guadalajara International Film Festival (FICG), at the 17th Mix Mexico: Festival of Sexual Diversity in Film and Videos, at the 13th Barcelona International Gay & Lesbian Film Festival (FICGLB, in Spanish), and at the 11th Ischia Film & Music Global Fest, Italy. His last film tied for First Place at the IV “Alejandro Galindo Screenwriting Improvement Workshop, taught by Vicente Leñero, in Mexico City.
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
“I want cinema to remain independent of power”: Interview with Lucrecia Martel 03 · 06 · 26 Frederick Wiseman and the poetics of patience 03 · 03 · 26 Kleber Mendonça Filho: cinefilia y memoria en EL AGENTE SECRETO 02 · 27 · 26 Filmmaking without fear: Robin Campillo and the legacy of Laurent Cantet at ENZO 02 · 20 · 26
