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Terrazas, Kyzza

He studied Philosophy at the National Autonomous University of Mexico (UNAM) and he received a Master of Fine Arts (MFA) from Columbia University, in New York. He has participated five times at the Morelia International Film Festival (FICM). In the 3rd FICM his short fiction film Matapájaros (2005) was in competition. In the 9th FICM he competed with his first feature film El lenguaje de los machetes (2011); which participated in more than 10 festivals around the world and which won the Jury Award at the 52nd Cartagena International Film Festival (FICCI), in Colombia, and the New Horizons Award at the 12th Whistler Film Festival, Canada, among other prizes. He was also the executive producer of the films No quiero dormir sola (2012) by Natalia Beristain, part of the Official Selection of the 10th FICM, and of Cochochi (2007) by Laura Amelia Guzmán and Israel Cárdenas, part of the Official Selection of the 5th FICM. His documentary feature film Somos lengua / Speaking Tongues (2016), part of the Offical Selection of the 14th FICM, won the Warrior Award of the Press and the Young Jury Award at the UNAM International Film Festival (FICUNAM) and the Audience Award at the Durango New Mexican Film Festival.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo.