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Sepúlveda Martínez, Juan Manuel

He studied filmmaking at the CUEC film school at the National Autonomous University of Mexico (UNAM) and received a  master’s degree in fine arts from Simon Fraser University (SFU), Vancouver. His work has been presented in three editions of the Morelia International Film Festival (FICM). Bajo la tierra (2004), which was presented at the 3rd FICM, also won the Best Documentary Short Film at the 48th Ariel Awards of Mexico and an Honorable Mention for the José Rovirosa Award from the UNAM in 2005. His documentary film La frontera infinita (2007), which participated in the Official Selection of the 58th Berlin International Film Festival, Berlinale, won Special Mention at the 5th FICM, among other prizes. His documentary Lecciones para una guerra (2011) also won Special Mention at the 9th FICM. The director received the Jury Award at the 33rd Festival Internacional de Cine Documental Cinéma du Réel International Documentary Film Festival, Paris, for Extraño rumor de la tierra cuando se abre un surco (2011).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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