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Sampson, Arturo

He studied cinematography at the CCC film school in Mexico City. He participated in Berlinale Talents 2005 and received the Young Creators Grant of the National Fund for Culture and the Arts (FONCA) during the period 2009-2010. He is partner and production director of the production and distributing company CANANA. He participated in the 5th Mecal Barcelona International Short and Animation Film Festival and the 2nd Mexico City International Horror Film Festival Macabro (Macabro FICH, in spanish), among others, with his short fiction film El pez rojo (2002), which won the Special Jury Award at the 5th Guanajuato International Film Festival (GIFF). His short fiction film Godot (2005) was presented at more than 10 festivals around the world, including the 3rd Morelia International Film Festival (FICM), the 2nd Be Film The Underground Film Festival (BTUFF), New York, and the 8th GIFF. He participated in the 8th Pamplona Film Festival, among others, with his short documentary Lo último en moda (2007), which won the Best Documentary Film award at the 5th Manlleu Short Film Festival, Barcelona. He is producer, among other films, of Cochochi (2007) by Israel Cárdenas and Laura Amelia Guzmán, selected for the 5th FICM, as well as of Paraíso (2013), by Mariana Chenillo, and Manto acuífero (2013), by Michael Rowe, both selected for the 11th FICM.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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