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Sabugal Torres; Eduardo

He received a Master’s degree in Hispanoamerican language and literature and is a university professor of philosophy. He won the Puebla State Fund for Culture and the Arts (FOESCAP, in Spanish) scholarship in literature on two occasions (2003 and 2009), and the Stimulus Program for Creation and Artistic Development (PECDA, in Spanish), Mexico, for creators in the area of literature who are more than 30 years old (2013). He won the 13th National Short Film Competition of the National Film Institute (IMCINE), Mexico. He has written and directed several video dances, two of which were selected at the Agite y Sirva, Traveling Video Dance Festival, in 2012 and 2013. Since 2003, he has produced and directed Perífonia, a broadcast magazine specializing in film criticism, on radio Puebla FM. He has published two books of stories: Involuciones (2010) and Liquidaciones (2012). He has published many reviews, essays and stories in specialized magazines such as Crítica of the Benemérita Universidad Autónoma de Puebla (BUAP), Mexico. His first short film Tome la pistola y empiece a despachar (2015) participated in the 30th Guadalajara International Film Festival (FICG, in Spanish), Mexico; the 7th Durango Festival of Mexican Film; the 10th Shorts México, International Short Film Festival of Mexico (FICMEX); the 11th “22 x Don Luis” Film Festival in Calanda, Spain; and the 13th Vancouver Latin American Film Festival (VLAFF), Canada. He was part of the Official Selection of the 13th Morelia International Film Festival (FICM).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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