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Sabugal Torres; Eduardo

He received a Master’s degree in Hispanoamerican language and literature and is a university professor of philosophy. He won the Puebla State Fund for Culture and the Arts (FOESCAP, in Spanish) scholarship in literature on two occasions (2003 and 2009), and the Stimulus Program for Creation and Artistic Development (PECDA, in Spanish), Mexico, for creators in the area of literature who are more than 30 years old (2013). He won the 13th National Short Film Competition of the National Film Institute (IMCINE), Mexico. He has written and directed several video dances, two of which were selected at the Agite y Sirva, Traveling Video Dance Festival, in 2012 and 2013. Since 2003, he has produced and directed Perífonia, a broadcast magazine specializing in film criticism, on radio Puebla FM. He has published two books of stories: Involuciones (2010) and Liquidaciones (2012). He has published many reviews, essays and stories in specialized magazines such as Crítica of the Benemérita Universidad Autónoma de Puebla (BUAP), Mexico. His first short film Tome la pistola y empiece a despachar (2015) participated in the 30th Guadalajara International Film Festival (FICG, in Spanish), Mexico; the 7th Durango Festival of Mexican Film; the 10th Shorts México, International Short Film Festival of Mexico (FICMEX); the 11th “22 x Don Luis” Film Festival in Calanda, Spain; and the 13th Vancouver Latin American Film Festival (VLAFF), Canada. He was part of the Official Selection of the 13th Morelia International Film Festival (FICM).

Otras Películas

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

Una mirada frenética recorre la convulsa Ciudad de México, metrópolis colosal sostenida por el mito del mestizaje y otras violencias coloniales. Pasado y presente tejen una ráfaga de imágenes; memorias fragmentadas de este territorio. Deidades antiguas que se encarnan, sueños que se desdoblan entre la intimidad, la complicidad y el tumulto. Una película errática que nos invita a reimaginar la compleja relación que sostenemos con la “mexicanidad”.

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