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Rosas; Paulina

She studied communication at the Universidad Internacional (UNINTER), Mexico, and cinematography, specializing in production and directing, at the CCC film school, Mexico City. She has worked in advertising production. She received the Deutscher Akademischer Austauschdienst (DAAD) scholarship from the Filmuniversität Babelsberg Konrad Wolf in Germany. Her short film Dos de tres (2012) was presented at more than 40 festivals and film forums around the world, including the 27th Guadalajara International Film Festival (FICG, in Spanish), Mexico; the 15th Ícaro International Central American Film Festival, Guatemala; the 15th Seoul International Youth Film Festival (SIYFF), South Korea; and the 43rd Giffoni Film Festival (GFF), Italy. Dos de tres won the awards for Best Screenplay and Best Actor at the 7th Shorts México, International Short Film Festival of Mexico (FICMEX); Best Student Short Film at the 16th Sleepwalkers International Short Film Festival, Estonia; Best Short Film, Best Actress and Best Screenplay at the 6th International Short Film Festival (FIC, in Spanish), Mexico; and the Best Short Film at the 3rd Caixa de Curtas de Televisión América Latina (TAL), Brazil. Her short film Oak Leaves (2015) was part of the Official Selection of the 13th Morelia International Film Festival (FICM).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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