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Rojo Aura, Rubén

He studied cinematography at the Russian Mexican Institute of Film and Acting Sergei Eisenstein in Mexico City. His work has been presented at more than 20 festivals around the world, including two editions of the Morelia International Film Festival (FICM). He participated with his short fiction films El camino (2006) and Carretera del norte (2008) in the 5th FICM and the 6th FICM respectively. This last film won more than 10 national and international awards, including a Silver Goddess for Best Short Film at the 37th Silver Goddess Awards Ceremony, Mexico; Best Short Film award at the 12th Tour de Cine Francés and at the 7th International Film Festival on Human Rights (DHFest), Mexico City; the Audience Award at the 6th Asiana International Short Film Festival (AISFF), Seoul, and the 11th South American Film Encounters, Marseille; and Best Iberoamerican Short Film Award at the 21st Aguilar del Campoo International Short Film Festival, Spain.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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