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Reyes, Fernando

He studied contemporary art at the Universidad de San Francisco de Quito (USFQ), Ecuador; cinematography at the CUEC-UNAM film school and theater direction at CasAzul Argos, Mexico City. His work has been presented at more than 20 film screenings, festivals and galleries around the world. In 2005, he created a “visual band”, alongside Gabriela Karolys and Chris Akerman, called “Electron Psychopath”, which consists of the creation, projection, manipulation and editing of images live, and was presented at various nightclubs and art galleries, including, the Venice Artists Movement United (VAMU), Los Angeles, California, and the Orange County Center for Contemporary Art (OCCCCA), Santa Ana, United States. He participated with his short fiction film Triángulo sin ángulos (Cogito ergo sum) (2005), in the 3rd Morelia International Film Festival (FICM); the 17th Girona Film Festival, Spain; and the 9th Los Angeles International Short Film Festival, LA Short Fest, United States, among others. He won the Best Short Film Award at the Concurso Filmaka 2007 for Profecías incumplidas (2007), which was presented at the exposition “Se Permuta” at the experimental art museum Ex Teresa Arte Actual, Mexico, and the art gallery Heliogàbal, Barcelona, Spain, among others.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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