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Ramón, Raúl

He studied communication at the Jesuit University of Guadalajara (ITESO, in Spanish), Jalisco, Mexico; photography direction with cinematographer Ric Waite, at The Maine Workshops, Rockport, Maine, United States; and film directing with film and television director Alan Myerson, as well as actor direction with screenplay analyst, author and actress Judith Weston, in Los Angeles, California. His screenplay Poderoso Victoria (2011) won at the 6th Alejandro Galindo Screenwriting Improvement Workshop, organized by the Mexican Film Institute (IMCINE). He participated in the 1st Morelia International Film Festival (FICM) with his short fiction film La vacabólica (2003). His short fiction film La llama doble (2010) received the awards for Best Short Film at the 25th Guadalajara International Film Festival (FICG) and Best Director at the 1st Valle de Bravo en Corto International Film Festival, Mexico. He produced the feature film La lucha de Ana (2012) by Bladimir Abud; which was shown at more than 20 festivals around the world, and won the Audience Award at the 29th Uruguay International Film Festival; and the Soberano Award for Best Picture at the 29th Soberano Awards Ceremony, Santo Domingo, Dominican Republic.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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