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Orozco Hernández; Rodrigo

As an independent visual artist, he has presented his work at various cultural centers and galleries in Mexico and around the world. He participated in the 15th and 16th Salón Estatal de la Acuarela at the Casa de la Cultura of Morelia. He has had three individual exhibits in Mexico: “Las Cosas Perdidas” at the Centro de Arte Chapultepec, Morelia, in 2011; “Asnar Nama”, at the David Alfaro Siqueiros Gallery of the Faculty of Fine Arts of the Michoacán University of Saint Nicolás of Hidalgo (UMICH), Morelia, in 2012; and “Presagios de Eternidad” at the Galería Casa Diana, San Miguel de Allende, Guanajuato, in 2014. He has also participated in the collective exhibit “Imaginario Colectivo”, in 2012, presented at the Centro Cultural Clavijero, Morelia. He has received various awards for this work, including an Honorable Mention at the 14th Encuentro Estatal de Pintura y Estampa “Efraín Vargas”; First Place at the 22nd Concurso de Altares de Día de Muertos de Morelia; First Place at the 4th “Caminos de la Libertad” International Competition, organized by Televisión Azteca; and an Honorable Mention at the 5th edition of “Caminos de la Libertad.” In 2014, he presented his first individual exhibition outside Mexico “SPECTRAL CAVE” at the Hyaena Gallery, Los Angeles, United States, and write an illustrated story called El circo de las miniaturas. In his cinematographic work, he was art director and miniature and character creator for the animated short film Dr. Onco (2013) by Yadira Arellano, winner of the I. SAT Special Award at the 11th Morelia International Film Festival (FICM). His short film Manuscrito de un mundo invisible (2014) was part of the Official Selection of the 12th FICM, and his short film La hora de los sueños (2015) was part of the Official Selection of the 13th FICM.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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