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Orea, Juliana

He graduated from a B.A. in Visual Arts at the Guadalajara University, Mexico, with a specialization in directing and editing. She has worked in the production companies Cobra Films, Cebolla Films and Teonacatl Audiovisual; she has also created content for brands such as Nike and Gatorade. In 2015 she received a scholarship from the Jalisco State Council for Culture and Arts for the production of her short film En el estacionamiento, part of the Official Selection of the 14th Morelia International Film Festival (FICM). En el estacionamiento has participated in festivals like the Wimbledon International Short Film Festival, United Kingdom; the 11th Festival de Cine Latinoamericano de La Plata, Argentina; and the 27th São Paulo International Short Film Festival, Brazil. En el estacionamiento has been recognized with a Special Mention at the Nordic Youth Film Festival, Norway; the award for Best Student Film at the Women’s Independent Film Festival, United States; and a Special Mention at the Uruguay International Film School Festival.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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