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Musalem Ramos, Mariana

She studied linguistics and Hispanic literature at the Benemérita Universidad Autónoma de Puebla (BUAP) and cinematography at the CCC film school in Mexico City. She also did postgraduate studies in screenwriting at the Film and Audiovisual School of Catalonia (ESCAC) in Barcelona. She participated in a dozen film showings and festivals around the world with her short fiction film Estío (2009); including the 7th Morelia International Film Festival (FICM), the 5th Säo Paulo Latin American Film Festival, and the 1st 1000 Metros Bajo Tierra Underground International Film Festival, Mexico. She was part of the Project Development Workshop DocTV in Havana in 2013 with the film in the postproduction stage La nación interior (2014) by Bulmaro Osornio, in which she worked as producer. She currently has a grant from the Oaxaca Secretariat of Culture and the Arts (SECULTA) and from the CCC film school to work on her screenplay for Al final del día (2014).

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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