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Meyer; Matías

He studied filmmaking at the CCC film school in Mexico City. He has participated in six editions of the Morelia International Film Festival (FICM): the 2nd FICM with El pasajero (2004); the 4th FICM with Verde (2006); the 6th FICM with Wadley (2008); and the 7th FICM with Calambre (2009). In the 9th FICM, he competed with Los últimos cristeros (2011), a film traveled at more than 20 film festivals around the world and received various awards, including Best Latin American Director at the 3rd Annual Cinema Tropical Awards; the Coup de Coeur award at the 24th Toulouse Latin American Film Festival; Best Film of the TV UNAM Selection from the 2nd UNAM International Film Festival (FICUNAM); Best Film at the 17th Split Film Festival in Croatia; and Best Film at the 1st Riviera Maya Film Festival (RMFF). He won the Mexican Feature Film Award at the 13th FICM for his feature film Yo (2015).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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