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Máximo Cortés, Raúl

He studied history at the Michoacán University of Saint Nicolás of Hidalgo (UMICH, in Spanish), Morelia, and a teacher’s training course with a specialty in the Purépecha language at the Foreign Language Center (CELE-UNAM), Morelia. He participated in five editions of the Morelia International Film Festival (FICM). He presented Korpus (La fiesta de los oficios)(2003) at the 2nd FICM; El cargo (2005) at the 3rd FICM; and El Costumbre (Pidiendo lluvia) (2005) at the 4th FICM. He participated in the 18th Festival Présence Autochtone, Montreal, with his short documentary Axuni Atari (Cazador de venados)(2006), which won the Best Work from the Michoacán Section at the 5th FICM. He won the same award at the 6th FICM for Aquí ya no entra Don Inés… Casimiro Leco (2008). He participated with his short documentary film Sïruki Tsakapu (Piedra de hormiguero) at the 8th FICM; the 4th Independent Hispanic American Film and Video Festival, “All Voices Against the Silence,” Mexico; and the 7th Indigenous Film and Video Festival (FECVI), Morelia.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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