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Kasuski; Carlos

He studied film directing at the Katowice Film School, Poland, where he took classes with renowned filmmakers, like Polish director Andrzej Wajda. He has received, among other awards, an Honorable Mention at the 3rd National Screenwriting Competition for Short Films of the Mexican Film Institute (IMCINE), for his screenplay El sillón (1996), Mexico; Third Place at the 2nd Kodak Student Publicity Contest, Poland, for his commercial Levi’s y nada más (1998); the Jury Special Award at the 2nd Euro Underground Film Festival, Poland, for his short film Tommy the Boy (1997); and two awards at the 1st Student Short Film Festival of the University of Silesia in Katowice: Third Place for his short film Evolución (1999) and a Jury Special Award for his short film Flamenco (2001). He participated in the 11th Morelia International Film Festival (FICM) with his short fiction film Frente al espejo (2013), his first film since returning to Mexico in 2012.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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