Image Hiriart, Sebastián He is a self-taught director, actor, screenwriter, photography director, camera assistant and operator of several projects for film and television. He has presented his work at two editions of the Morelia International Film Festival (FICM). He participated in the 6th FICM with his short fiction film Perspectiva (2008), and in the 8th FICM with his first film A tiro de piedra (2010). This last film was shown at more than 10 festivals around the world and won, among other awards, Best Film at the 2nd Puebla International Film Festival (FIC Puebla); Best Director and Best Screenplay at the 39th Gramado Film Festival, Brazil; Best Debut Film at the 16th International Film Festival of Kerala (IFFK); and a Jury Special Mention at the 58th San Sebastián International Film Festival. His second feature, Filosofía natural del amor (2013), participated in the 2nd Baja International Film Festival (BIFF), Los Cabos, Mexico, and the 3rd Curaçao International Film Festival Rotterdam (Curaçao IFFR), among other festivals. Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News Sebastián Hiriart compite por el Yellow Robin Award 03 · 31 · 14 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Hiriart, Sebastián He is a self-taught director, actor, screenwriter, photography director, camera assistant and operator of several projects for film and television. He has presented his work at two editions of the Morelia International Film Festival (FICM). He participated in the 6th FICM with his short fiction film Perspectiva (2008), and in the 8th FICM with his first film A tiro de piedra (2010). This last film was shown at more than 10 festivals around the world and won, among other awards, Best Film at the 2nd Puebla International Film Festival (FIC Puebla); Best Director and Best Screenplay at the 39th Gramado Film Festival, Brazil; Best Debut Film at the 16th International Film Festival of Kerala (IFFK); and a Jury Special Mention at the 58th San Sebastián International Film Festival. His second feature, Filosofía natural del amor (2013), participated in the 2nd Baja International Film Festival (BIFF), Los Cabos, Mexico, and the 3rd Curaçao International Film Festival Rotterdam (Curaçao IFFR), among other festivals.
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
