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Herrero Garvin, Laura

She graduated as a Technical Telecommunications Engineer with a specialty in Image and Sound from the Castilla-La Mancha University, in Spain; the Technische Universität Graz, in Austria; and the Sonora Institute of Technology, in Mexico. She later took diverse classes at the San Francisco Film Society and at the Berkeley Community Television, in California; and in 2010 she took an intensive course in Film at the Mexican Association of Independent Filmmakers (AMCI). She is partner and co-founder of La Sandía Digital, Laboratorio de Cultura Audiovisual A.C., where she works as director, cinematographer and editor. She directed, produced and edited the documentary short film Mirando al cielo (2011), which was selected at festivals such as the Bogotá International Film Festival, in Colombia, and the International Human Rights Film Festival of Bolivia, in Bolivia, among others. Her short film Nora, el sabor de su boca (2012), co-directed with Carolina Corral, won the 3rd place at the “Gender and Justice” documentary contest in Mexico, and it was selected in festivals such as the Festival de Cine de Mujeres de Santiago, in Chile, and the Human Rights Film Festival of Bogotá, Colombia. That same year she presented the documentary feature film Son duros los días sin nada, Official Selection of the International Film Festival with Gender Perspective (MICGénero) and winner of the “Women” category of the Independent Documentary Film and Video Latin American Meeting: All Voices Against Silence. In 2013, she presented Mouvement and in 2014, Acuario; both were part of the Official Selection of the Québec City Film Festival, in Canada. Her first feature film El Remolino (2016) is part of the Official Selection of the 14th Morelia International Film Festival (FICM), of the Oaxaca International Film Festival, of the Ambulante, Documentary Tour and of the Camden International Film Festival, in the United States. El Remolino was also presented at the Festival del film Locarno and it received a Special Mention from the jury at the Merida and Yucatan International Film Festival (FICMY). She is currently studying a masters degree in Documentary Creation at the Pompeu Fabra University in Barcelona, Spain. She is also in production of La Mami, her latest documentary feature film, selected to participate in the Europe-Latin America Co-Production Forum of the San Sebastián Film Festival.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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