Image Hernández Máynez, Jaiziel He studied cinematography at the CCC film school in Mexico City. His work, as director and photographer, has been shown at more than 10 film screenings and festivals around the world, including three editions of the Morelia International Film Festival (FICM). His work as the photographer in Felipe (2009) by Lenz Claure won the Studio 5 de Mayo Special Award. He participated with his documentary short film Florería y edecanes (2011), in the 9th FICM, the 7th Ambulante Documentary Tour, Mexico, and the 8th Lago Film Fest, Italy, among others. His documentary short film Las potentes cápsulas de aceite de caguama (2012) was part of the Official Selection of the 19th Visions du Réel - International Documentary Film Festival in Nyon, Switzerland, and the 41st International Film Festival of Huesca, Spain. He did the photography for Arroz (2012) by Arturo Martinelli, which competed at the 10th FICM. Currently, he is working in pre-production on his first feature film Días de invierno. Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News Cortometrajes del CCC completos en línea 07 · 28 · 14 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Hernández Máynez, Jaiziel He studied cinematography at the CCC film school in Mexico City. His work, as director and photographer, has been shown at more than 10 film screenings and festivals around the world, including three editions of the Morelia International Film Festival (FICM). His work as the photographer in Felipe (2009) by Lenz Claure won the Studio 5 de Mayo Special Award. He participated with his documentary short film Florería y edecanes (2011), in the 9th FICM, the 7th Ambulante Documentary Tour, Mexico, and the 8th Lago Film Fest, Italy, among others. His documentary short film Las potentes cápsulas de aceite de caguama (2012) was part of the Official Selection of the 19th Visions du Réel - International Documentary Film Festival in Nyon, Switzerland, and the 41st International Film Festival of Huesca, Spain. He did the photography for Arroz (2012) by Arturo Martinelli, which competed at the 10th FICM. Currently, he is working in pre-production on his first feature film Días de invierno.
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
