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Gerber Bicecci; Alejandro

He studied cinematography at the CCC film school in Mexico City. His work has participated in more than 100 film showings and festivals around the world. His short documentary film Onces (2002) was presented at the 1st Morelia International Film Festival (FICM), the 3rd Independent Hispanic American Film and Video Festival, “All Voices Against the Silence,” Mexico, and the 10th Barcelona Independent Film Festival L’Alternativa, among others. His short documentary film Morada (2003) won the Audience Award for Best Short Film at the 1st FICM, the Gold Mikeldi for Documentary Films at the 46th Bilbao International Festival of Documentary and Short Films – Zinebi, and First Place at the 1st Festival Residus Millor en Curt, Barcelona, among others. He received a Special Mention at the 7th FICM for his first feature film Vaho (2009), which won the Jury Special Award at the 10th Marrakech International Film Festival (FIFM in French) and was nominated for an Ariel for Best Music Score at the 53rd Ariel Awards Ceremony, Mexico. His feature fiction film Viento aparte (2014) received an award at the 5th “Alejandro Galindo” Screenwriting Improvement Workshop, organized by the Mexican Institute of Directors-Audio Visual Creators. Viento aparte participated in the 29th Guadalajara International Film Festival (FICG in Spanish), Mexico; the 30th Warsaw Film Festival (WFF), Poland; the 20th Kolkata International Film (KIFF), India; the 36th Habana Film Festival, Cuba; the 69th Edinburgh International Film Festival (EIFF), Scotland; and won the Audience Award at the 18th Cine Las Americas International Film Festival in Austin, Texas, United States. His short film Luces brillantes (2015) is part of the Official Selection of the 13th FICM.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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