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García Flores, Raúl

He studied graphic design at the National Autonomous University of Mexico (UNAM) and received a master’s degree in visual arts from the Antigua Academia de San Carlos of the UNAM in Mexico CÅity. He participated in the 3rd National Competition for Experimental Video of Baja California with his animated short film Jaque mate (2005), which won 1st Place in the animation category at the 1st Aguascalientes Film Festival, Mexico. His short film El gorrito de Morfeo (2006) was part of the Official Selection of the 10th Guanajuato International Film Festival (GIFF) and the 2nd Short Shorts Film Festival México (SSFFM), among others. He was in two editions of the Morelia International Film Festival (FICM) in the Children’s Short Film Section. At the 6th FICM, he presented Árbol (2008), which was also part of the Official Selection of the 3rd SSFFM and the 1st Animasivo, Contemporary Animation Forum in Mexico City. His animated short film ¿Dónde se encuentran sus historias? (2009) was shown at the 7th FICM. He participated in the 6th SSFFM with his animated short film Pupa (2010).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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