Image García Agraz; Natalia Direction, Edition, Script Natalia García Agraz is a Mexican director and screenwriter born on December 7, 1993. She studied to be a photographer at Escuela Activa de Fotografía and as a director and screenwriter at Centro de Capacitación Cinematográfica. She directed the short film "El último romántico" that represented Mexico with a nomination at the 2019 Student Academy Awards and participated in more than 60 international festivals including Tribeca Film Festival, Tel Aviv Film Festival and the Morelia Film Festival. As a screenwriter, she has collaborated on feature films and series for Netflix, Woo Films, The Lift and Videocine. Her work has been shown on the Hulu, Netflix, FilminLatino and CinepolisKlic platforms. She has participated as a theater actress in the company "Vincent Company para Actores y no Actores Fracasados" in the productions "Tal vez esto no se trate de amor" (2019) and "La Ciencia de la despedida" (2020 and 2021), winner of the 2020 co-production with the Teatro La Capilla. She recently directed two short films "Passarinho" (2023) and "Revolución" (2023), the last winner of the FOCINE 2021 fund. She is currently writing and developing her debut feature film "Acapulco". Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image García Agraz; Natalia Direction, Edition, Script Natalia García Agraz is a Mexican director and screenwriter born on December 7, 1993. She studied to be a photographer at Escuela Activa de Fotografía and as a director and screenwriter at Centro de Capacitación Cinematográfica. She directed the short film "El último romántico" that represented Mexico with a nomination at the 2019 Student Academy Awards and participated in more than 60 international festivals including Tribeca Film Festival, Tel Aviv Film Festival and the Morelia Film Festival. As a screenwriter, she has collaborated on feature films and series for Netflix, Woo Films, The Lift and Videocine. Her work has been shown on the Hulu, Netflix, FilminLatino and CinepolisKlic platforms. She has participated as a theater actress in the company "Vincent Company para Actores y no Actores Fracasados" in the productions "Tal vez esto no se trate de amor" (2019) and "La Ciencia de la despedida" (2020 and 2021), winner of the 2020 co-production with the Teatro La Capilla. She recently directed two short films "Passarinho" (2023) and "Revolución" (2023), the last winner of the FOCINE 2021 fund. She is currently writing and developing her debut feature film "Acapulco".
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
