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Natalia García Agraz

García Agraz; Natalia

Direction, Edition, Script

Natalia García Agraz is a Mexican director and screenwriter born on December 7, 1993. She studied to be a photographer at Escuela Activa de Fotografía and as a director and screenwriter at Centro de Capacitación Cinematográfica. She directed the short film "El último romántico" that represented Mexico with a nomination at the 2019 Student Academy Awards and participated in more than 60 international festivals including Tribeca Film Festival, Tel Aviv Film Festival and the Morelia Film Festival. As a screenwriter, she has collaborated on feature films and series for Netflix, Woo Films, The Lift and Videocine. Her work has been shown on the Hulu, Netflix, FilminLatino and CinepolisKlic platforms. She has participated as a theater actress in the company "Vincent Company para Actores y no Actores Fracasados" in the productions "Tal vez esto no se trate de amor" (2019) and "La Ciencia de la despedida" (2020 and 2021), winner of the 2020 co-production with the Teatro La Capilla. She recently directed two short films "Passarinho" (2023) and "Revolución" (2023), the last winner of the FOCINE 2021 fund. She is currently writing and developing her debut feature film "Acapulco".

 

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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