Image García Agraz; Natalia Direction, Edition, Script Natalia García Agraz is a Mexican director and screenwriter born on December 7, 1993. She studied to be a photographer at Escuela Activa de Fotografía and as a director and screenwriter at Centro de Capacitación Cinematográfica. She directed the short film "El último romántico" that represented Mexico with a nomination at the 2019 Student Academy Awards and participated in more than 60 international festivals including Tribeca Film Festival, Tel Aviv Film Festival and the Morelia Film Festival. As a screenwriter, she has collaborated on feature films and series for Netflix, Woo Films, The Lift and Videocine. Her work has been shown on the Hulu, Netflix, FilminLatino and CinepolisKlic platforms. She has participated as a theater actress in the company "Vincent Company para Actores y no Actores Fracasados" in the productions "Tal vez esto no se trate de amor" (2019) and "La Ciencia de la despedida" (2020 and 2021), winner of the 2020 co-production with the Teatro La Capilla. She recently directed two short films "Passarinho" (2023) and "Revolución" (2023), the last winner of the FOCINE 2021 fund. She is currently writing and developing her debut feature film "Acapulco". Other Movies If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More 40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More Related News The 23rd Edition of the Morelia International Film Festival Opened with Kleber Mendonça Filho's THE SECRET AGENT 10 · 10 · 25 "I Don't Like the Idea of Pure Cinema": Kleber Mendonça Filho Talks About THE SECRET AGENT at the 23rd FICM 10 · 10 · 25 The Third Film Development Lab for Filmmakers of Indigenous and African Descent in Mexico has Begun 10 · 09 · 25 The 2025 Indigenous Peoples Forum Announces its Activities for the 23rd FICM 10 · 08 · 25 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image García Agraz; Natalia Direction, Edition, Script Natalia García Agraz is a Mexican director and screenwriter born on December 7, 1993. She studied to be a photographer at Escuela Activa de Fotografía and as a director and screenwriter at Centro de Capacitación Cinematográfica. She directed the short film "El último romántico" that represented Mexico with a nomination at the 2019 Student Academy Awards and participated in more than 60 international festivals including Tribeca Film Festival, Tel Aviv Film Festival and the Morelia Film Festival. As a screenwriter, she has collaborated on feature films and series for Netflix, Woo Films, The Lift and Videocine. Her work has been shown on the Hulu, Netflix, FilminLatino and CinepolisKlic platforms. She has participated as a theater actress in the company "Vincent Company para Actores y no Actores Fracasados" in the productions "Tal vez esto no se trate de amor" (2019) and "La Ciencia de la despedida" (2020 and 2021), winner of the 2020 co-production with the Teatro La Capilla. She recently directed two short films "Passarinho" (2023) and "Revolución" (2023), the last winner of the FOCINE 2021 fund. She is currently writing and developing her debut feature film "Acapulco".
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
The 23rd Edition of the Morelia International Film Festival Opened with Kleber Mendonça Filho's THE SECRET AGENT 10 · 10 · 25 "I Don't Like the Idea of Pure Cinema": Kleber Mendonça Filho Talks About THE SECRET AGENT at the 23rd FICM 10 · 10 · 25 The Third Film Development Lab for Filmmakers of Indigenous and African Descent in Mexico has Begun 10 · 09 · 25 The 2025 Indigenous Peoples Forum Announces its Activities for the 23rd FICM 10 · 08 · 25
The 23rd Edition of the Morelia International Film Festival Opened with Kleber Mendonça Filho's THE SECRET AGENT 10 · 10 · 25
"I Don't Like the Idea of Pure Cinema": Kleber Mendonça Filho Talks About THE SECRET AGENT at the 23rd FICM 10 · 10 · 25
The Third Film Development Lab for Filmmakers of Indigenous and African Descent in Mexico has Begun 10 · 09 · 25
