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Cruz, Nancy

She studied Public Communication at the Guadalajara University. In 2013, she began studying screenwriting, filmmaking and editing at the University Center for Film Studies (CUEC-UNAM), Mexico. In 2011, she received a scholarship from the Program of Encouragement to the Creation and the Artistic Development (PECDA), Mexico, in the category of Young Creators. Her work Azul turquesa (2014) received an Honorable Mention for film schools at the Latin American Video and Audiovisual Arts Festival in Rosario, Argentina; it was also the winner of the Distribution Award at the International Film Festival about Sexual Diversity and Gender (Libercine), in Buenos Aires, Argentina. Her next work, Venus 2.0 (2016), has been shown in diverse festivals like the 11th São Paulo Latin American Film Festival, Brazil; the REC Festival for Public Universities in La Plata, Argentina; and the Queretaro Student Documentary Film Festival, (DOQU16), Mexico, among others. Her most recent work, Mariachi Nights (2016), is part of the Official Selection of the 14th Morelia International Film Festival (FICM). She is currently working on her thesis, Los últimos recuerdos de Abril.

Other Movies

Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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Ziuta travesías

Ziuta travesías

Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life.

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Zinzindurrunkarratz

Zinzindurrunkarratz

Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way.

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