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Cruz, Nancy

She studied Public Communication at the Guadalajara University. In 2013, she began studying screenwriting, filmmaking and editing at the University Center for Film Studies (CUEC-UNAM), Mexico. In 2011, she received a scholarship from the Program of Encouragement to the Creation and the Artistic Development (PECDA), Mexico, in the category of Young Creators. Her work Azul turquesa (2014) received an Honorable Mention for film schools at the Latin American Video and Audiovisual Arts Festival in Rosario, Argentina; it was also the winner of the Distribution Award at the International Film Festival about Sexual Diversity and Gender (Libercine), in Buenos Aires, Argentina. Her next work, Venus 2.0 (2016), has been shown in diverse festivals like the 11th São Paulo Latin American Film Festival, Brazil; the REC Festival for Public Universities in La Plata, Argentina; and the Queretaro Student Documentary Film Festival, (DOQU16), Mexico, among others. Her most recent work, Mariachi Nights (2016), is part of the Official Selection of the 14th Morelia International Film Festival (FICM). She is currently working on her thesis, Los últimos recuerdos de Abril.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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