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Coronel, Alfonso

He studied design and visual communication at the National School of Visual Arts (ENAP, in Spanish) of the National Autonomous University of Mexico (UNAM) and cinematography at the CUEC-UNAM film school in Mexico City. He is currently studying for a master’s degree in documentary film in the Department of Art and Design at the CUEC-UNAM film school. He won First Place in Short Film Screenwriting at the 7th Guanajuato International Film Festival (GIFF) for his screenplay Mi pobre corazón (2004). He participated in the 5th Kinoki International College Film Festival, Mexico City, with his documentary short film Axolotl (2008) and Sonido en las sombras (2009). The last film won First Place in Animated Short Film at the 7th Video CortoCinema National University Short Film Festival, Guanajuato. He participated in the 10th Morelia International Film Festival (FICM) and the 7th Short Shorts Film Festival México (SSFFM) with his short fiction film Vuelve Primavera (2012). His short fiction film El relojero (2013) was part of the Official Selection of the 8th Latin American Film Festival of La Plata (FESAALP), Argentina, and the 12th Mexico City International Horror Film Festival (Macabro FICH).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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