Image Carreras; Lucía She studied communication at the Jesuit University of Guadalajara (ITESO, in Spanish) and received a master’s degree in screenwriting from the Intercontinental University (UIC) in Mexico City. She participated in more than 10 film screenings and festivals around the world with her first feature film Nos vemos, papá (2011), including the 9th Morelia International Film Festival (FICM); the 39th Iberoamerican Film Festival of Huelva, Spain; the 17th International Film Festival of Kerala (IFFK), India; the 47th Karlovy Vary International Film Festival (KVIFF), Czech Republic; and the 28th Haifa International Film Festival, Israel. This work was part of the Program IBERMEDIA in 2012; the Ibero-American Co-production Meeting at the 16th Guanajuato International Film Festival (FICG), Mexico; and the 2nd Europe-Latin America Co-Production Forum of the 61st San Sebastián International Film Festival, Spain. It also won a Jury Special Award for Best Actress for Cecilia Suárez at the 16th Cine Las Americas International Film Festival. She was nominated for an Ariel for Best Original Screenplay at the 52nd Ariel Awards Ceremony, Mexico, for her work in Año Bisiesto (2010) by Michael Rowe, which was presented at the 8th FICM, and she won an Ariel for Best Original Screenplay at the 56th Ariel Awards Ceremony for her work in La jaula de oro (2013) by Diego Quemada-Diez, film that won the Best First or Second Mexican Feature Length Film, the Audience Award and the Guerrero Press Award at the 11th FICM. Her second feature film La casa más grande del mundo, co-directed with Ana V. Bojórquez, was part of the Official Selection of the 13th FICM. Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News Cinco películas mexicanas para celebrar el Día del padre 06 · 13 · 19 La presencia mexicana en el Zurich Film Festival 09 · 13 · 16 Seleccionados del 14º FICM se presentarán en Toronto 09 · 08 · 16 The Greatest House in the World at the 13th FICM 10 · 29 · 15 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Carreras; Lucía She studied communication at the Jesuit University of Guadalajara (ITESO, in Spanish) and received a master’s degree in screenwriting from the Intercontinental University (UIC) in Mexico City. She participated in more than 10 film screenings and festivals around the world with her first feature film Nos vemos, papá (2011), including the 9th Morelia International Film Festival (FICM); the 39th Iberoamerican Film Festival of Huelva, Spain; the 17th International Film Festival of Kerala (IFFK), India; the 47th Karlovy Vary International Film Festival (KVIFF), Czech Republic; and the 28th Haifa International Film Festival, Israel. This work was part of the Program IBERMEDIA in 2012; the Ibero-American Co-production Meeting at the 16th Guanajuato International Film Festival (FICG), Mexico; and the 2nd Europe-Latin America Co-Production Forum of the 61st San Sebastián International Film Festival, Spain. It also won a Jury Special Award for Best Actress for Cecilia Suárez at the 16th Cine Las Americas International Film Festival. She was nominated for an Ariel for Best Original Screenplay at the 52nd Ariel Awards Ceremony, Mexico, for her work in Año Bisiesto (2010) by Michael Rowe, which was presented at the 8th FICM, and she won an Ariel for Best Original Screenplay at the 56th Ariel Awards Ceremony for her work in La jaula de oro (2013) by Diego Quemada-Diez, film that won the Best First or Second Mexican Feature Length Film, the Audience Award and the Guerrero Press Award at the 11th FICM. Her second feature film La casa más grande del mundo, co-directed with Ana V. Bojórquez, was part of the Official Selection of the 13th FICM.
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
Cinco películas mexicanas para celebrar el Día del padre 06 · 13 · 19 La presencia mexicana en el Zurich Film Festival 09 · 13 · 16 Seleccionados del 14º FICM se presentarán en Toronto 09 · 08 · 16 The Greatest House in the World at the 13th FICM 10 · 29 · 15
