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Bonilla, Santiago

He studied Hispanic Language and Literature at the School of Philosophy and Literature of the National Autonomous University of Mexico (UNAM), and a B.A. in Cinematography at the University Center for Film Studies (CUEC-UNAM), in Mexico City. From 2011 to 2012 he worked as research assistant for the Doctor of Literature Yvette Jiménez de Báez at the Colegio de México; in 2016 he received the Young Creators scholarship from the Mexican National Fund for Culture and Arts (Fondo Nacional para la Cultura y las Artes, FONCA). His short film Campo abierto (2016) is part of the Official Selection of the 11th Shorts México festival and the 14th Morelia International Film Festival (FICM).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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