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Aridjis, Eva

She received a master’s degree in film and television at New York University (NYU). She has presented her films at more than 20 film showings and festivals around the world and at four editions of the Morelia International Film Festival (FICM). Niños de la calle (2003) won the Best Feature Documentary Award at the 1st FICM and it was nominated in the categories of Feature Documentary and First Work at the 45th Ariel Awards. The favor (2006), presented at the 4th FICM, received a Special Mention at the 8th CineVegas Film Festival, Las Vegas, and the Best Actor Award at the 5th San Diego Film Festival. La Santa Muerte (2007), which participated in the 5th FICM, won the Best Feature Documentary Award at the 8th Latin American Film Festival of Trieste, Italy. Los ojos azules (2011) was part of the Official Selection of the Mexican Feature Documentary section at the 9th FICM and was presented at the NewFilmmakers, New York, 2012.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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