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Alós, María José

She studied photography at the Active Photography School in Mexico City, and sculpture and visual arts at “La Esmeralda” National School of Painting, Sculpture and Graphics (ENPEG). She won the 1st Honorable Mention in the Raymond Weil International Photography Contest 2008, Switzerland, for her photographic series En relación (2007). She received support from the National Fund for Culture and the Arts (FONCA) for the exhibition of her video installation Autorretrato apropiado (2013) at the Toronto Arts Council Gallery within the 14th aluCine Latin Film + Media Arts Festival. Her work has participated in more than 10 film festivals and showings throughout the world, including the 3rd Morelia International Film Festival (FICM), where she presented her short films Poesía en movimiento (2004) and Orgasmo: paisaje psicológico 2 (2005).

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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