2013 | B/N | 16:00 The act of opening and closing curtains would seem to be directed by an eye conscious of another eye. By closing the curtains, we have decided that what happens in the interior is not pertinent for the exterior, or vice-versa. This does not necessarily imply that a window without curtains is a public space. To be conscious of another hypothetical gaze is also to find distant company in the solitary urban masses. There, a persecuted consciousness can find a controlling gaze, perhaps opportunely balanced by the possibility of a silent, repetitive, quotidian conspiracy. In the machinery of global neighbors, the passivity of the domestic passerby is a privilege with criminal connotations. And it is necessary to forget this daily criminal drama for these windows to continue shining like innocent frames. Direction: Piazza; Luciano Participation year at FICM: 2016
2013 | B/N | 16:00 The act of opening and closing curtains would seem to be directed by an eye conscious of another eye. By closing the curtains, we have decided that what happens in the interior is not pertinent for the exterior, or vice-versa. This does not necessarily imply that a window without curtains is a public space. To be conscious of another hypothetical gaze is also to find distant company in the solitary urban masses. There, a persecuted consciousness can find a controlling gaze, perhaps opportunely balanced by the possibility of a silent, repetitive, quotidian conspiracy. In the machinery of global neighbors, the passivity of the domestic passerby is a privilege with criminal connotations. And it is necessary to forget this daily criminal drama for these windows to continue shining like innocent frames. Direction: Piazza; Luciano Participation year at FICM: 2016
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
The 23rd FICM Awarded the Best of its Official Selection and Impulso Morelia 11 10 · 17 · 25 Eddie Muller Presents 99 RIVER STREET on the Closing Night of the 23rd FICM. 10 · 17 · 25 Academic Forum: Pioneering Mexican Female Screenwriters at the 23rd FICM 10 · 17 · 25 When You're An Actor, No One Can Stop You From Doing It: Stellan Skarsgård at the Presentation of Sentimental Value 10 · 17 · 25
When You're An Actor, No One Can Stop You From Doing It: Stellan Skarsgård at the Presentation of Sentimental Value 10 · 17 · 25