2009 | Color | 97min Barlam is a shy guy in his 20s who works at a grocery store in El Paso, Texas. The routine of the border city absorbs him, and lately, he has been feeling uncomfortable and restless with his life. His sister Nati, a junkie, seems to be his closest relative until suddenly, he meets a young Puerto Rican guy who looks almost exactly like him. Barlam becomes obsessed with this person—could he be a member of his broken family? Country: Estados Unidos Direction: Rodríguez López; Omar Script: Rodríguez López; Omar Production: Frusciante; John, Rodríguez López; Omar Photography: Rizzi; Michael Music: Rodríguez López; Omar Cast:Velázquez Nomar Rizo; Tatiana, Rodríguez López; Omar, Stodel; Kim Participation year at FICM: 2010
2009 | Color | 97min Barlam is a shy guy in his 20s who works at a grocery store in El Paso, Texas. The routine of the border city absorbs him, and lately, he has been feeling uncomfortable and restless with his life. His sister Nati, a junkie, seems to be his closest relative until suddenly, he meets a young Puerto Rican guy who looks almost exactly like him. Barlam becomes obsessed with this person—could he be a member of his broken family? Country: Estados Unidos Direction: Rodríguez López; Omar Script: Rodríguez López; Omar Production: Frusciante; John, Rodríguez López; Omar Photography: Rizzi; Michael Music: Rodríguez López; Omar Cast:Velázquez Nomar Rizo; Tatiana, Rodríguez López; Omar, Stodel; Kim Participation year at FICM: 2010
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
Farewell Laurent Cantet: two of his early films 05 · 02 · 24 El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24 Lorena Velázquez: reina del fantástico y más… 04 · 18 · 24 Marlon Brando and his connection with Mexico one hundred years after his death 04 · 04 · 24
El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
