2004 | Color | 3 min Working at low-paying service industry jobs is a rite of passage for the majority of Mexican immigrants to Canada, who form part of a new hybrid identity. Eugenio Salas animates the donuts that surrounded him when he worked in one of Canada?s many donut coffee shops Country: Canadá Direction: Salas Orozco; Eugenio Script: Salas Orozco; Eugenio Production: Mitchel; Roy Photography: Salas Orozco; Eugenio Sound: Salas Orozco; Eugenio Music: Nortec; Nortec, San Miguel; Banda Art direction: Salas Orozco; Eugenio Participation year at FICM: 2005
2004 | Color | 3 min Working at low-paying service industry jobs is a rite of passage for the majority of Mexican immigrants to Canada, who form part of a new hybrid identity. Eugenio Salas animates the donuts that surrounded him when he worked in one of Canada?s many donut coffee shops Country: Canadá Direction: Salas Orozco; Eugenio Script: Salas Orozco; Eugenio Production: Mitchel; Roy Photography: Salas Orozco; Eugenio Sound: Salas Orozco; Eugenio Music: Nortec; Nortec, San Miguel; Banda Art direction: Salas Orozco; Eugenio Participation year at FICM: 2005
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
