2006 | B/N | 30 min Cui Yan has lost her child in an accident. She is invited to Mexico to perform in a concert of Chinese music. During her stay in the Mexican capital, she realizes that her greatest regret is not her son?s death, but the fact that she has erased him from her memory. Diego is preparing a concert of Chinese music. With a disease causing him to slowly lose his memory; he begins to have fleeting visions of Valeria, his cousin and the love of his life. He quits the orchestra in order to see her one last time. Country: México Direction: Mendoza Ruiz; Pablo Script: Mendoza Ruiz; Pablo, Ochoa; Pablo Production: Torrens; Martí Photography: Aman; Ximena Sound: Rubio; Marco Music: Concierto para Pipa;, Orquestra Primavera Otoño Tangjiang Ping;, World and Girlfriend Katshiko Maedo; Cast:Lan; Weiwei, Lafit; Pablo, Goto; Shoki, Flores; Nayeli, Lein; Diana Art direction: Leyva; Ileana Participation year at FICM: 2006
2006 | B/N | 30 min Cui Yan has lost her child in an accident. She is invited to Mexico to perform in a concert of Chinese music. During her stay in the Mexican capital, she realizes that her greatest regret is not her son?s death, but the fact that she has erased him from her memory. Diego is preparing a concert of Chinese music. With a disease causing him to slowly lose his memory; he begins to have fleeting visions of Valeria, his cousin and the love of his life. He quits the orchestra in order to see her one last time. Country: México Direction: Mendoza Ruiz; Pablo Script: Mendoza Ruiz; Pablo, Ochoa; Pablo Production: Torrens; Martí Photography: Aman; Ximena Sound: Rubio; Marco Music: Concierto para Pipa;, Orquestra Primavera Otoño Tangjiang Ping;, World and Girlfriend Katshiko Maedo; Cast:Lan; Weiwei, Lafit; Pablo, Goto; Shoki, Flores; Nayeli, Lein; Diana Art direction: Leyva; Ileana Participation year at FICM: 2006
If I Were Fire Two young lovers wander through an abandoned countryside, where reality is distorted and the ruins of a long-gone village give glimpses of the past. The presence of a mysterious horseman transforms the bucolic landscape into a nightmare. See More
Lives on the Border Lives on the border portrays the tragic consequences of an unfair sentence delivered by the U.S. criminal justice system. Through several interconnected life stories, we'll discover what Rosa Estela Olvera, a Mexican woman wrongfully convicted in the U.S. (My Life Inside 2007), endures in prison: a psycho-emotional exploration of the loneliness of confinement; and the long and arduous battle to win back her family and obtain justice. See More
40 + Divorced, childless and single, Luz visits her local healer who prescribes a scandalous remedy to unburden her soul. As Luz embarks on a sensual journey of self-discovery, she steps into her power realizing that fulfillment doesn't require a traditional path. See More
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25 “The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25 Activities for Impulso Morelia 11 Begin at the 23th FICM 10 · 13 · 25 64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
Nuria Ibáñez on EL GUARDIÁN and How Cinema Helps Us Think About What’s Foreign to Us at the 23rd FICM 10 · 13 · 25
“The Process is the Only Part of Cinema That's Ours”: Elisa Miller Presents BITÁCORA DE DIRECCIÓN DE TEMPORADA DE HURACANES 10 · 13 · 25
64th Critics' Week: Ava Cahen Presented Shih-Ching Tsou's LEFT-HANDED GIRL at the 23rd FICM 10 · 13 · 25
