2026 | Color | 102:51 Reportaje explores the relationship between death and crime journalism in Mexico City. Through photographers, press workers, and newspaper vendors, it observes how violence is transformed into narrative and how storytelling becomes a way to inhabit and transcend death. In parallel, a group of formerly incarcerated actors stages a crime that resonates with their own histories, turning performance into an act of memory and redemption. Country: México Direction: Gutiérrez Wenhammar; Nicolás Script: Gutiérrez Wenhammar; Nicolás Production: Gutiérrez Wenhammar; Nicolás, de la Paz Nicolau; Santiago Photography: Martínez; Flavia Sound: Rojas; María Alejandra, Salazar; Arturo Music: Lozano; Diego Cast:Corona; Ismael, Cruz; Javier, Hernández; Juan Luis, Barrera; Luis, Rivas; Karla, Rodríguez; Alma, Maldonado; Filemón, Olvera; Norberto, López; Felipe Art direction: Portillo; José Participation year at FICM: 2026
2026 | Color | 102:51 Reportaje explores the relationship between death and crime journalism in Mexico City. Through photographers, press workers, and newspaper vendors, it observes how violence is transformed into narrative and how storytelling becomes a way to inhabit and transcend death. In parallel, a group of formerly incarcerated actors stages a crime that resonates with their own histories, turning performance into an act of memory and redemption. Country: México Direction: Gutiérrez Wenhammar; Nicolás Script: Gutiérrez Wenhammar; Nicolás Production: Gutiérrez Wenhammar; Nicolás, de la Paz Nicolau; Santiago Photography: Martínez; Flavia Sound: Rojas; María Alejandra, Salazar; Arturo Music: Lozano; Diego Cast:Corona; Ismael, Cruz; Javier, Hernández; Juan Luis, Barrera; Luis, Rivas; Karla, Rodríguez; Alma, Maldonado; Filemón, Olvera; Norberto, López; Felipe Art direction: Portillo; José Participation year at FICM: 2026
Mechanical Memory is a ghost. Lucio, a printing press worker, takes one last walk around the machines with whom he shared everything. He remembers when his mechanisms used to move and through that mechanical movement he reflects about his own life. See More
Serranilla Agustina has been a pastor for as long as she can remember. Throughout her life she has had three great loves. Between dreams and memories she sings about everything that has and has not been. Agustina lives with Dionisio in a rural community called El Saltillo in Guanajuato, Mexico. Serranillas are medieval spanish compositions dealing with some kind of amatory adventure in rural landscapes. See More
Thousand Staring Eyes Mara, a 19-year-old woman from San Pedro Sula, came to Mexico fleeing her past. The place where she lived never accepted her, it is something she will not forget. Mara works in a small, dark hotel room. We listen to what she thinks, all the memories, dreams and nightmares that inhabit her mind. See More
Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26 LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
LA MUERTE ES TEMPORAL, EL AMOR ES ETERNO A Short by Cerveza Victoria Celebrating Day of the Dead at the 24th FICM 10 · 23 · 26
