2017 | Color | 85:56 In early 1950s Mexico City, Rosario is an introverted university student fighting to have a voice in a society run by men, and she will soon become one of the major female writers in Mexican literature. However, her stormy love story with Ricardo Guerra will show her contradictory side. At the peak of her career and in the middle of her marriage, a discussion will erupt, marking a turning point in her life. Direction: Beristain; Natalia Script: Prudencio; María Renée, Peñalosa; Javier Production: Ley; Rafa, Córdova; María José, González; Rodrigo S., Perskie; Stacy, Morán; Gerardo Photography: Ludlow; Dariela Sound: de Icaza; Alejandro Music: Aldrete; Esteban Cast:Ia; Tessa, de Tavira Egurrola; Pedro, Giménez Cacho; Daniel, Gidi; Karina Art direction: Jacques; Carlos Y. Participation year at FICM: 2017
2017 | Color | 85:56 In early 1950s Mexico City, Rosario is an introverted university student fighting to have a voice in a society run by men, and she will soon become one of the major female writers in Mexican literature. However, her stormy love story with Ricardo Guerra will show her contradictory side. At the peak of her career and in the middle of her marriage, a discussion will erupt, marking a turning point in her life. Direction: Beristain; Natalia Script: Prudencio; María Renée, Peñalosa; Javier Production: Ley; Rafa, Córdova; María José, González; Rodrigo S., Perskie; Stacy, Morán; Gerardo Photography: Ludlow; Dariela Sound: de Icaza; Alejandro Music: Aldrete; Esteban Cast:Ia; Tessa, de Tavira Egurrola; Pedro, Giménez Cacho; Daniel, Gidi; Karina Art direction: Jacques; Carlos Y. Participation year at FICM: 2017
El Día Después: Nosotras Nine women are murdered every day in Mexico. According to official statistics, six out of every ten women have experienced violence at some point in their lives. Nosotras [Us] addresses various levels of violence against women, starting with microaggressions, which we have normalized. It also includes testimonies from female survivors of violence, as well as from family members of victims of femicide. The documentary—filmed in Mexico City, Chihuahua, and Ciudad Juárez— it is part of the campaign “Femicidios en México” [“Femicides in Mexico”]. See More
Four 22nd FICM short films, presented at the 64th Cannes Critics’ Week, got a special screening in Paris 05 · 26 · 25 FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25 Aurora Clavel (1936-2025) and TARAHUMARA (ALWAYS FURTHER ON) 05 · 22 · 25 Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25
Four 22nd FICM short films, presented at the 64th Cannes Critics’ Week, got a special screening in Paris 05 · 26 · 25
FICM presented four Mexican short films in a special screening at the 64th Critics' Week at Cannes 05 · 22 · 25
Short films from the 22nd FICM presented at the 64th Cannes Critics' Week to be screened in Paris 05 · 22 · 25
