2017 | Color | 85:56 In early 1950s Mexico City, Rosario is an introverted university student fighting to have a voice in a society run by men, and she will soon become one of the major female writers in Mexican literature. However, her stormy love story with Ricardo Guerra will show her contradictory side. At the peak of her career and in the middle of her marriage, a discussion will erupt, marking a turning point in her life. Direction: Beristain; Natalia Script: Prudencio; María Renée, Peñalosa; Javier Production: Ley; Rafa, Córdova; María José, González; Rodrigo S., Perskie; Stacy, Morán; Gerardo Photography: Ludlow; Dariela Sound: de Icaza; Alejandro Music: Aldrete; Esteban Cast:Ia; Tessa, de Tavira Egurrola; Pedro, Giménez Cacho; Daniel, Gidi; Karina Art direction: Jacques; Carlos Y. Participation year at FICM: 2017
2017 | Color | 85:56 In early 1950s Mexico City, Rosario is an introverted university student fighting to have a voice in a society run by men, and she will soon become one of the major female writers in Mexican literature. However, her stormy love story with Ricardo Guerra will show her contradictory side. At the peak of her career and in the middle of her marriage, a discussion will erupt, marking a turning point in her life. Direction: Beristain; Natalia Script: Prudencio; María Renée, Peñalosa; Javier Production: Ley; Rafa, Córdova; María José, González; Rodrigo S., Perskie; Stacy, Morán; Gerardo Photography: Ludlow; Dariela Sound: de Icaza; Alejandro Music: Aldrete; Esteban Cast:Ia; Tessa, de Tavira Egurrola; Pedro, Giménez Cacho; Daniel, Gidi; Karina Art direction: Jacques; Carlos Y. Participation year at FICM: 2017
El Día Después: Nosotras Nine women are murdered every day in Mexico. According to official statistics, six out of every ten women have experienced violence at some point in their lives. Nosotras [Us] addresses various levels of violence against women, starting with microaggressions, which we have normalized. It also includes testimonies from female survivors of violence, as well as from family members of victims of femicide. The documentary—filmed in Mexico City, Chihuahua, and Ciudad Juárez— it is part of the campaign “Femicidios en México” [“Femicides in Mexico”]. See More
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26 Visit the Beaches of Michoacán 10 · 29 · 26 The 24th FICM Awarded the Best of its Official Selection and Impulso Morelia 12 10 · 23 · 26 LOS LOBOS: NATIVE SONS by Piero F. Giunti and Doug Blush Screened at the 24th FICM 10 · 23 · 26
The Curaçao International Film Festival opens a call for entries for the second edition of Impact, in collaboration with FICM 11 · 05 · 26
