2017 | Color | 85:56 In early 1950s Mexico City, Rosario is an introverted university student fighting to have a voice in a society run by men, and she will soon become one of the major female writers in Mexican literature. However, her stormy love story with Ricardo Guerra will show her contradictory side. At the peak of her career and in the middle of her marriage, a discussion will erupt, marking a turning point in her life. Direction: Beristain; Natalia Script: Prudencio; María Renée, Peñalosa; Javier Production: Ley; Rafa, Córdova; María José, González; Rodrigo S., Perskie; Stacy, Morán; Gerardo Photography: Ludlow; Dariela Sound: de Icaza; Alejandro Music: Aldrete; Esteban Cast:Ia; Tessa, de Tavira Egurrola; Pedro, Giménez Cacho; Daniel, Gidi; Karina Art direction: Jacques; Carlos Y. Participation year at FICM: 2017
2017 | Color | 85:56 In early 1950s Mexico City, Rosario is an introverted university student fighting to have a voice in a society run by men, and she will soon become one of the major female writers in Mexican literature. However, her stormy love story with Ricardo Guerra will show her contradictory side. At the peak of her career and in the middle of her marriage, a discussion will erupt, marking a turning point in her life. Direction: Beristain; Natalia Script: Prudencio; María Renée, Peñalosa; Javier Production: Ley; Rafa, Córdova; María José, González; Rodrigo S., Perskie; Stacy, Morán; Gerardo Photography: Ludlow; Dariela Sound: de Icaza; Alejandro Music: Aldrete; Esteban Cast:Ia; Tessa, de Tavira Egurrola; Pedro, Giménez Cacho; Daniel, Gidi; Karina Art direction: Jacques; Carlos Y. Participation year at FICM: 2017
El Día Después: Nosotras Nine women are murdered every day in Mexico. According to official statistics, six out of every ten women have experienced violence at some point in their lives. Nosotras [Us] addresses various levels of violence against women, starting with microaggressions, which we have normalized. It also includes testimonies from female survivors of violence, as well as from family members of victims of femicide. The documentary—filmed in Mexico City, Chihuahua, and Ciudad Juárez— it is part of the campaign “Femicidios en México” [“Femicides in Mexico”]. See More
THE QUEER GAZE: HOW DISSIDENT AND COMPLEX NARRATIVES TRANSFORM CINEMA Presented by Otros Ojos at the 24th FICM 10 · 23 · 26 “One of the most beloved films in the history of cinema”: CASABLANCA, by Michael Curtiz, at the 24th FICM 10 · 22 · 26 Spanish Director Pedro Aguilera Presented LADIES' HUNTING PARTY at the 24th FICM 10 · 22 · 26 Tribute to Florence Delay at the 24th FICM: Emilio Maillé Presents LOS AÑOS ARRUZA 10 · 22 · 26
THE QUEER GAZE: HOW DISSIDENT AND COMPLEX NARRATIVES TRANSFORM CINEMA Presented by Otros Ojos at the 24th FICM 10 · 23 · 26
“One of the most beloved films in the history of cinema”: CASABLANCA, by Michael Curtiz, at the 24th FICM 10 · 22 · 26
