B/N | 24:00 Nine women are murdered every day in Mexico. According to official statistics, six out of every ten women have experienced violence at some point in their lives. Nosotras [Us] addresses various levels of violence against women, starting with microaggressions, which we have normalized. It also includes testimonies from female survivors of violence, as well as from family members of victims of femicide. The documentary—filmed in Mexico City, Chihuahua, and Ciudad Juárez— it is part of the campaign “Femicidios en México” [“Femicides in Mexico”]. Country: México Direction: Beristain; Natalia Participation year at FICM: 2019
B/N | 24:00 Nine women are murdered every day in Mexico. According to official statistics, six out of every ten women have experienced violence at some point in their lives. Nosotras [Us] addresses various levels of violence against women, starting with microaggressions, which we have normalized. It also includes testimonies from female survivors of violence, as well as from family members of victims of femicide. The documentary—filmed in Mexico City, Chihuahua, and Ciudad Juárez— it is part of the campaign “Femicidios en México” [“Femicides in Mexico”]. Country: México Direction: Beristain; Natalia Participation year at FICM: 2019
The Eternal Feminine In early 1950s Mexico City, Rosario is an introverted university student fighting to have a voice in a society run by men, and she will soon become one of the major female writers in Mexican literature. However, her stormy love story with Ricardo Guerra will show her contradictory side. At the peak of her career and in the middle of her marriage, a discussion will erupt, marking a turning point in her life. See More
Stellan Skarsgård to Present Joachim Trier’s Sentimental Value at the 23rd FICM 10 · 03 · 25 Juliette Binoche to Receive the Award for Artistic Excellence at the 23rd FICM 10 · 02 · 25 Cherien Dabis to Present ALL THAT'S LEFT OF YOU at the 23rd FICM 10 · 01 · 25 Charlie Kaufman will present his short film HOW TO SHOOT A GHOST at the 23rd FICM 09 · 30 · 25
