2022 | Color | 100:00 A pioneer among filmmakers, Jane Campion was the first woman to win the Palme d’Or at Cannes, for The Piano. In 40 years of work, she has carved out a unique place for herself in the highly masculine pantheon of cinema. A visual and iconoclastic director, a subtle portraitist of women and the human soul, Campion is also a furtive director: both discreet and whimsical, gentle and impertinent, and sometimes misunderstood. Country: Francia Direction: Bertucceli; Julie Script: Bertuccelli; Julie Production: Fialon; Estelle Sound: Goinard; Olivier Music: Goinard; Olivier Participation year at FICM: 2022
2022 | Color | 100:00 A pioneer among filmmakers, Jane Campion was the first woman to win the Palme d’Or at Cannes, for The Piano. In 40 years of work, she has carved out a unique place for herself in the highly masculine pantheon of cinema. A visual and iconoclastic director, a subtle portraitist of women and the human soul, Campion is also a furtive director: both discreet and whimsical, gentle and impertinent, and sometimes misunderstood. Country: Francia Direction: Bertucceli; Julie Script: Bertuccelli; Julie Production: Fialon; Estelle Sound: Goinard; Olivier Music: Goinard; Olivier Participation year at FICM: 2022
Our Perpertual Now A man edits one last conversation in his memory in order to say goodbye to the woman he loved and lost. See More
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El Festival Internacional de Cine de Morelia presentará una función especial en la 63ª Semana de la Crítica de Cannes 04 · 18 · 24
