2014 | B/N | 97 At forty, a musician decides to give up on his career and is hired as the concierge of a building. Matilda, recently retired, finds a crack in her living room wall. Her anxiety grows until she starts to believe that the building is going to collapse. The two people form a close friendship. The crack becomes a metaphor for life’s failures and how repressed feelings, like solitude and fear of the future, can come to the fore. Country: Francia Direction: Salvadori; Pierre Script: Salvadori; Pierre, Colombo-Léotard; David Production: Martin; Philippe Photography: Henry; Gilles Sound: Taillandier; Brigitte Music: Merritt; Stephin, Hetzel; Grégoire Cast:Kervern; Gustave, Marmaï; Pio, Bouchaud; Nicolas, Kupchik; Oleg, Clavel; Garance, Charasson; Olivier, Netter; Bruno, Deneuve; Catherine, Franck; Carole, Atkine; Feodor, Moretti; Michèle Art direction: Brunner; Séverine, Godde; Benoit, Jurgenson; Mathieu, Willenz; François Participation year at FICM: 2014
2014 | B/N | 97 At forty, a musician decides to give up on his career and is hired as the concierge of a building. Matilda, recently retired, finds a crack in her living room wall. Her anxiety grows until she starts to believe that the building is going to collapse. The two people form a close friendship. The crack becomes a metaphor for life’s failures and how repressed feelings, like solitude and fear of the future, can come to the fore. Country: Francia Direction: Salvadori; Pierre Script: Salvadori; Pierre, Colombo-Léotard; David Production: Martin; Philippe Photography: Henry; Gilles Sound: Taillandier; Brigitte Music: Merritt; Stephin, Hetzel; Grégoire Cast:Kervern; Gustave, Marmaï; Pio, Bouchaud; Nicolas, Kupchik; Oleg, Clavel; Garance, Charasson; Olivier, Netter; Bruno, Deneuve; Catherine, Franck; Carole, Atkine; Feodor, Moretti; Michèle Art direction: Brunner; Séverine, Godde; Benoit, Jurgenson; Mathieu, Willenz; François Participation year at FICM: 2014
La Venus eléctrica Paris, 1928. Antoine Balestro, a fashionable young painter, has been unable to work since his wife’s death—much to the despair of his gallerist, Armand. One night, a drunken Antoine attempts to contact his wife through a fortune teller. As it happens, he’s actually speaking with Suzanne, a circus performer who proves to be a highly talented impostor. She and Armand begin a series of fake séances. See More
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Tippett Studio and Paul Verhoeven: the end of an era between eroticism and science fiction 09 · 17 · 26
