Image Viveros, Mario He studied journalism and collective communication at the School of Higher Studies Acatlán (FES Acatlán) of the National Autonomous University of Mexico (UNAM), and cinematography at the CUEC-UNAM film school, Mexico City. He is currently studying for a master’s degree in documentary film at the School of Art and Design (FAD-UNAM) and the CUEC-UNAM. He also works as a researcher, filmmaker, cinematographer and editor at the collective Canal Seis de Julio; as an academic adviser at the Autonomous University of Mexico City (UACM), where he is developing the audiovisual laboratory project at the College of Humanities and Social Sciences (CHyCS); and as a professor of documentary film at the Mexican Association of Independent Filmmakers (AMCI), in Mexico City. Within his academic research work, among other activities, he published the article “Zerkalo: El espejo de Tarkovsky, análisis de realización,” in the magazine Estudios Cinematográficos, number 23, of the CUEC-UNAM, 2004, and the chapter “La enseñanza del Documental, otra forma de resistencia,” in the book Poetics of Resistance and Emancipation Cultural and Poetic Practices, soon to be released. He has worked on more than 60 documentaries and short fiction films, and has participated in numerous festivals around the world, including the 1st Morelia International Film Festival (FICM), with his short fiction film En los cuernos de la Luna (2002). He received, among other prizes, the awards for Best Documentary and Best Edition at the 8th Silver Screen Festival, Mexico City, for his feature length documentary Halcones: Terrorismo de Estado (2006). Other Movies Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Related News The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Viveros, Mario He studied journalism and collective communication at the School of Higher Studies Acatlán (FES Acatlán) of the National Autonomous University of Mexico (UNAM), and cinematography at the CUEC-UNAM film school, Mexico City. He is currently studying for a master’s degree in documentary film at the School of Art and Design (FAD-UNAM) and the CUEC-UNAM. He also works as a researcher, filmmaker, cinematographer and editor at the collective Canal Seis de Julio; as an academic adviser at the Autonomous University of Mexico City (UACM), where he is developing the audiovisual laboratory project at the College of Humanities and Social Sciences (CHyCS); and as a professor of documentary film at the Mexican Association of Independent Filmmakers (AMCI), in Mexico City. Within his academic research work, among other activities, he published the article “Zerkalo: El espejo de Tarkovsky, análisis de realización,” in the magazine Estudios Cinematográficos, number 23, of the CUEC-UNAM, 2004, and the chapter “La enseñanza del Documental, otra forma de resistencia,” in the book Poetics of Resistance and Emancipation Cultural and Poetic Practices, soon to be released. He has worked on more than 60 documentaries and short fiction films, and has participated in numerous festivals around the world, including the 1st Morelia International Film Festival (FICM), with his short fiction film En los cuernos de la Luna (2002). He received, among other prizes, the awards for Best Documentary and Best Edition at the 8th Silver Screen Festival, Mexico City, for his feature length documentary Halcones: Terrorismo de Estado (2006).
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Sujo When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable. See More
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
The 22nd FICM Awarded the Best of its Official Selection and Impulso Morelia 10 10 · 25 · 24 Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24 The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24 The Documentary LAS AMAZONAS DE YAXUNAH Premieres at the 22nd FICM 10 · 25 · 24
Alfonso Cuarón Presents a Film that Shaped Him at the 22nd FICM: JONÁS WHO WILL BE 25 IN THE YEAR 2000 10 · 25 · 24
The Vindication of a Great Artist: Interview with Eva Aridjis Fuentes, Director of ADIÓS CABALLOS: THE MANY LIVES OF Q LAZZARUS (2024) 10 · 25 · 24
