Image Viveros, Mario He studied journalism and collective communication at the School of Higher Studies Acatlán (FES Acatlán) of the National Autonomous University of Mexico (UNAM), and cinematography at the CUEC-UNAM film school, Mexico City. He is currently studying for a master’s degree in documentary film at the School of Art and Design (FAD-UNAM) and the CUEC-UNAM. He also works as a researcher, filmmaker, cinematographer and editor at the collective Canal Seis de Julio; as an academic adviser at the Autonomous University of Mexico City (UACM), where he is developing the audiovisual laboratory project at the College of Humanities and Social Sciences (CHyCS); and as a professor of documentary film at the Mexican Association of Independent Filmmakers (AMCI), in Mexico City. Within his academic research work, among other activities, he published the article “Zerkalo: El espejo de Tarkovsky, análisis de realización,” in the magazine Estudios Cinematográficos, number 23, of the CUEC-UNAM, 2004, and the chapter “La enseñanza del Documental, otra forma de resistencia,” in the book Poetics of Resistance and Emancipation Cultural and Poetic Practices, soon to be released. He has worked on more than 60 documentaries and short fiction films, and has participated in numerous festivals around the world, including the 1st Morelia International Film Festival (FICM), with his short fiction film En los cuernos de la Luna (2002). He received, among other prizes, the awards for Best Documentary and Best Edition at the 8th Silver Screen Festival, Mexico City, for his feature length documentary Halcones: Terrorismo de Estado (2006). Other Movies Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More Ziuta travesías Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life. See More Zinzindurrunkarratz Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way. See More Related News MIL CAMINOS TIENE LA MUERTE: Arsenio Campos (1946-2025) 04 · 03 · 25 EL CAMINO DE LA VIDA: THE YOUNG AND THE DAMNED by Matilde Landeta 03 · 27 · 25 Juan Rulfo and the silver screen 03 · 20 · 25 ESTRATEGIA MATRIMONIO: the sixties and seventies 03 · 13 · 25 Otros Realizadores Mexicanos Tenemos la misión de recolectar a las mentes mas creativas de México y promover su trayectoria al mundo. Ingresar
Image Viveros, Mario He studied journalism and collective communication at the School of Higher Studies Acatlán (FES Acatlán) of the National Autonomous University of Mexico (UNAM), and cinematography at the CUEC-UNAM film school, Mexico City. He is currently studying for a master’s degree in documentary film at the School of Art and Design (FAD-UNAM) and the CUEC-UNAM. He also works as a researcher, filmmaker, cinematographer and editor at the collective Canal Seis de Julio; as an academic adviser at the Autonomous University of Mexico City (UACM), where he is developing the audiovisual laboratory project at the College of Humanities and Social Sciences (CHyCS); and as a professor of documentary film at the Mexican Association of Independent Filmmakers (AMCI), in Mexico City. Within his academic research work, among other activities, he published the article “Zerkalo: El espejo de Tarkovsky, análisis de realización,” in the magazine Estudios Cinematográficos, number 23, of the CUEC-UNAM, 2004, and the chapter “La enseñanza del Documental, otra forma de resistencia,” in the book Poetics of Resistance and Emancipation Cultural and Poetic Practices, soon to be released. He has worked on more than 60 documentaries and short fiction films, and has participated in numerous festivals around the world, including the 1st Morelia International Film Festival (FICM), with his short fiction film En los cuernos de la Luna (2002). He received, among other prizes, the awards for Best Documentary and Best Edition at the 8th Silver Screen Festival, Mexico City, for his feature length documentary Halcones: Terrorismo de Estado (2006).
Mexico will no longer exist! A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.” See More
Ziuta travesías Ziuta, a Polish Jewish survivor of World War II, was an extraordinary woman who sparked special devotion for her political commitment and her support for clandestine struggle. As a teenager, Ziuta weathered exile with fortitude and determination, saving her mother and other relatives from perishing in their flight. Despite the horrors and scarcity she endured, she upheld a grateful outlook on life. See More
Zinzindurrunkarratz Oskar Alegría embarks on a journey to recover the past. With a Super-8 camera that once belonged to his father and has remained untouched for 41 years, he plans to retrace the path of the shepherd: the journey of transhumance that his grandfather undertook in his youth, following now-forgotten coordinates. The result is a film that delights in the search —as well as the many detours along the way. See More
MIL CAMINOS TIENE LA MUERTE: Arsenio Campos (1946-2025) 04 · 03 · 25 EL CAMINO DE LA VIDA: THE YOUNG AND THE DAMNED by Matilde Landeta 03 · 27 · 25 Juan Rulfo and the silver screen 03 · 20 · 25 ESTRATEGIA MATRIMONIO: the sixties and seventies 03 · 13 · 25
