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Verrechia; Dylan

He received a BFA in Film & Television from New York University (NYU) and a DEUG Degree of Performing Arts, Philosophy & Photography, from the Universidad Paris X Nanterre, France. His work has been shown at more than 50 festivals around the world, where it has won numerous national and international awards. His feature film Tijuana Makes Me Happy (2007) won the Grand Jury Prize for Best Narrative Feature at the Slamdance Film Festival, Park City, Utah, and the Indie Max Award at the 13th SAFILM - San Antonio Film Festival, United States. He participated in the 8th Morelia International Film Festival (FICM) with his feature film Tierra Madre (2010), which received a Jury Honorable Mention. This film, co-directed with Aideé González, won other awards, including Best Narrative Feature at the 28th Reeling Chicago LGTB International Film Festival, Illinois; Best International Film at the 1st Out in the Desert: Tucson’s International LGBT Film Festival, Arizona; and Best Picture at the 10th Barcelona International Gay & Lesbian Film Festival (FICGLB), Spain.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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