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Urueta; Ricardo

He holds a degree in Visual Arts and Design and another in Film Production from the Vancouver Film School (2012-2013). He studied film production at the EICAR International Film School of Paris (2013-2015) and Dramatic and Performance Arts at Estudio Corazza for the Actor and at the Carmen Dance School at Senra (2015-2016). He has a degree in Photography Lighting from the Academy of Visual Arts.

In 2014, he participated in the annual screening of short films in La Cinémathèque Française in Paris, where he received the prize for Best Sound Editing on Plánchame La Piel. The following year, he won the jury prize in the same category for Cariño mío.

He participated in the Michoacan Selection of FICM 2015 with Plánchame La Piel.

In 2016, Cariño mio was part of the Made in Mexico Selection at the Oaxaca Film Fest and participated in the Latin American Film Festival of As in Norway. He currently works as personal assistant to Frida Torresblanco, the Oscar winning producer.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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