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Urrutia; Ximena

She studied cinematography at the CCC film school in Mexico City. She has worked as a producer and director of several film projects. At the 6th Morelia International Film Festival (FICM), she won the IMCINE Award at the Production Workshop of the Morelia Lab for her short film Condones Encanto (2008). She was the producer for the short fiction film Laszlo (2009), by Ehécatl Garage, which won the Best Production award at the 14th VIART- Iberoamerican Festival of Student Short Films of Caracas, Venezuela. She also won First Place for the Fundación FEMSA award at the 1st ECOFILM Festival in Mexico for her short film Cosechando el agua (2011). Her short film Un suelo (2011), co-directed with Pamela Albarrán Rodríguez, won 1st place in the documentary category in the 4th“Hazlo en Cortometraje” University Competition, organized by the BBVA Bancomer Foundation and the Cinépolis Foundation, Mexico. She was the producer of the short film by Patricia Martínez Y retiemble en sus centros la tierra (2011), winner of the Best Student Short Film Award at the 2011 edition of the José Rovirosa Award, given by the National Autonomous University of Mexico (UNAM). Her short fiction film Ella (2014) was part of the Official Selection of the 12th FICM and has also participated in the 9th Sydney Latin American Film Festival (SLAFF), Australia, and the 12th World Film Festival of Bangkok, Thailand. She is currently working as producer of a documentary feature film.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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