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Soler Cepriá; Anna

Filmmaker and cinematographer. She studied Photography and Image at the Escuela Superior de Fotografía e Imagen (ESFI) of CEU San Pablo University, Valencia. She was a photographer for the newspaper Castellón Diario, in Spain. In 2000, she co-founded the photography school Fábrica de Imágenes in Morelia, Michoacán. She received a Special Mention at the 5th Morelia International Film Festival (FICM) and the Best Mexican Documentary award at the 4th International Film Festival of Baja California for her feature-length documentary Los días sin Joyce (un diario imaginario) (2007), co-directed with Agustín Tapia. The film also participated, among other festivals, in the 10th Guanajuato International Film Festival (GIFF) and the 16th Cinesul Iberoamerican Film and Video Festival, Río de Janeiro. She has made several musical videos for the group Monodesnudo from Castellón, including Que todos salgan así (2012), presented at the 27th Medina del Campo Film Week, Spain. In 2013 she was the director of photography of Enero, by Adrián González Camargo, Official Selection of the 11th FICM, and in 2016 of Día seis by Juan Pablo Arroyo, Official Selection of the 14th FICM.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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