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Robles, Omar

He studied Visual Arts at the Image and Sound Department of the Guadalajara University in Mexico. In 2015, he received the Young Creators scholarship from the Mexican National Fund for Culture and Arts (Fondo Nacional para la Cultura y las Artes, FONCA) for the screenplay of the feature fiction film Las llamadas perdidas, and the scholarship from the State Council for Culture and Arts, Jalisco, for the production of the short film Los desterrados hijos de Eva. His short documentary film, co-directed with José Permar, Aurelia y Pedro (2016), part of the Official Selection of the 14th Morelia International Film Festival (FICM), received a Special Mention from the Jury at the 2016 Berlin International Film Festival (Berlinale), and it was recognized as Best Short Documentary Film at the Festival Internacional de Cine del Desierto (FICD), in Mexico, and at the Film School Screenings at the Latin American Film Festival in São Paulo, Brazil. Aurelia y Pedro (2016) was also selected at the Guanajuato International Film Festival (GIFF), Mexico, and at the Shorts Mexico international film festival, among others. He is a founding member of the independent film production company Tardígrada.

Other Movies

Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Sujo

Sujo

When a cartel gunman is killed, he leaves behind Sujo, his beloved 4-year-old son. The shadow of violence surrounds Sujo during each stage of his life in the isolated Mexican countryside. As he grows into a man, Sujo finds that fulfilling his father’s destiny may be inescapable.

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Mexico will no longer exist!

¡Aoquic iez in Mexico! ¡Ya México no existirá más!

A frenetic view runs over a convulsed Mexico City, a colossal metropolis sustained by the myth of "mestizaje" and other colonial forms of violence. Past and present weave a flurry of images; fragmented memories of this land. Ancient deities are incarnated, while dreams overlap among intimacy, complicity and the tumult. This is an erratic film that invites us to reimagine the complex relationship we have with the constructed “mexicanidad.”

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